Giuseppe Pierozzi

The story of Jean Valjean, still pursued by Javert, continues with a love developing between Cosette and radical student Marius, a blackmailing attempt by suspicious innkeeper Thenardier, and a climax on the barricades of Paris.

A young man falls in love with a girl from whom he hides the fact that he is already engaged to a mature upper-class lady. To win her over, he hires two actors to portray his parents.

Enrico breaks up his marriage to Renata because he discovers that in the registry office she is already married to a certain Giulio, an inhabitant of a country town. The couple leaves in search of the mysterious Giulio who is about to marry Marcella, but her wedding also ends.

The rich banker Rosen of Livorno fear that the Bonapartist will take all his gold, so he is hiding it inside a cuckoo clock.

A comedy about a governor who wants a miller's wife and tries to fix a night with her by putting the miller in jail.

The film portrays the comic adventures of a group of summertime travellers. Produced at the height of the fascist era, Treno popolare was nonetheless free of propaganda, and featured the first film score by the legendary composer Nino Rota.

Lorenzino de 'Medici manipulates Alessandro ruler of Florence to save his beloved Bianca.

A peasant leader under the enlightened despotism of Empress Catherine the Great, and a love story.

Italian filmmaker Carmine Gallone was still in his "operetta" mode when he helmed 1938's Il Sogno di Butterfly (Dream of the Butterfly) Maria Cebotari plays opera diva Rosa Belloni, currently starring in a production of Puccini's Madama Butterfly. The plot thickens when Rosa's backstage life begins to mirror the travails of the character she is portraying. The climax comes when Harry Peters (Fosco Giachetti), the American father of Rosa's illegitimate child, returns after four years with his new wife in tow, leading inexorably to a doleful ending both on- and offstage. Critics complained about the substandard photography in Il Sogno di Butterfly, but this might have been due to poor laboratory work.

The two drivers Giovanni and Gaetano are friends. Gaetano, bold and ruthless, thrives in the black market, while Giovanni, who is a naive and fundamentally honest worker from the North of Italy, cannot get any profit and his wife, an energetic and talkative Roman woman, can't help blaming him for his poor business skills. Returning from a trip to Naples, he brings home a little hungry orphan, Nello. At first Giovanni's wife doesn't want the boy, but then she begins to like him. The little boy does whatever he can to help the family. Nello's father, who everybody thought to have died during the war, finds his little son and, being a rich business man, he employs the good and generous Giovanni. Meanwhile the former friend Gaetano is caught by the police and convicted for his illegal trades.

This melodrama was directed by an émigré Russian from a story by Corrado Alvaro and Emanuele Caracciolo. The latter was murdered by the Nazis in the Fosse Ardeatine massacre, before the film’s post-war release. Featuring Miranda and Girotti prior to neo-realist stardom.

A comedy about a hobo and a millionaire who swap roles after the millionaire rescues the hobo from a suicide attempt.

Thanks to wartime smuggling Gioconda Perfetti, a roman fruit vendor, becomes very rich. She leaves her shop and moves to a magnificent villa which once belonged to a count. She also becomes involved with some very dubious characters who profit from her ignorance and cheat her out of her money.

Manon escapes with the young nobleman Des Grieux, then becomes a high-class courtesan and finally forced to exile to America.

A modest accountant wins a utility vehicle in a contest and publishes an ad looking for a companion to share expenses on a vacation trip. An attractive young lady answers the ad, but at the meeting place, the girl mistakes the accountant for a millionaire, who of course, leaves with her...

Adventures of two provincial actors looking for anyway done with something to eat. They are joined by a girl, Lili. They represent a magic number, but all I get are miscues and boos.

Based on a Pirandello play, Vittori De Sica plays a wealthy young social lion who has to constantly fight off a horde of women who are eager to marry him because of his position and money. He weds Elisa Cegani, a servant girl, who turns out to be a more appealing wife than any of the others could have been. Assis Noris decorates the screen well as one of the chasers and pursuers. In 1937, De Sica and Noris made a film, "II Signor Max," which, other than the setting and character role names, basically has the same plot as this film.

In his first feature, great Italian clown Totò plays a carefree tramp moving from job to job, in order to provide for himself and his young Shirley Temple-like protégée.

Ginevra degli Almieri's family has arranged a marriage of interest but the young Ginevra strenuously refuses until she falls into catalepsy and is buried alive. Once she wakes up she goes home but her family believes they are dealing with a ghost and they try to chase her away. She will only be welcomed by the penniless young painter who has always been in love with her.

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