Lynn-Maree Milburn

The place is Melbourne, Australia 1978. The punk phenomenon is sweeping the country and Dogs In Space, a punk group, are part of it. In a squat, in a dodgy suburb, live a ragtag collection of outcasts and don't-wanna-bes who survive on a diet of old TV space films, drugs and good music. And the satellite SKYLAB could crash through their roof at any moment...

A search for love, meaning and bathroom solitude. Danny goes through a series of shared housing experiences in a succession of cities on the east coast of Australia. Together these vignettes form a narrative that is surprisingly reflective.

From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.

Michael Hutchence was flying high as the lead singer of the legendary rock band INXS until his untimely death in 1997. Richard Lowenstein’s documentary examines Hutchence’s deeply felt life through his many loves and demons.

Provocateur, artist, performer: Peter Vanessa "Troy" Davies was a chameleon. Using layers of identity at will, Davies charmed his way through a lifetime of secrets and lies, prostitution, art, HIV, abuse, incest and gender subversion, leaving a legacy of unanswered questions, influential performances and reams of enigmatic home video. Ecco Homo is a psychological detective story and a testament to a social history rarely documented on film

Fresh from a Melbourne jail, Dan is reunited with the love of his life, Leanne. A fierce, passionate and tender couple who have learnt to appreciate the simplest pleasures in life, Dan and Leanne celebrate, and when surrounded by friends he announces he has resolved to go straight.

Having faithfully served his South Melbourne parish for nearly four decades, the cantankerous, controversial Catholic provocateur affectionately called Father Bob is well known and loved, as much for his incorrigible media savvy and battles with Church hierarchy as for his staunch advocacy on behalf of the disadvantaged and disenfranchised. In Bob We Trust goes behind the scenes with Bob, documenting his everyday trials during one of the most turbulent times in his career: his forced retirement and eviction from the church he called home for 38 years.

A cinematically immersive journey into the heart of Crowded House, exploring Neil Finn's unique song-writing genius while unravelling the psychological complexities and challenges the band faced in the wake of their success.

The story of the first comprehensive display of colour field painting and abstract sculpture in Australia, following the efforts of NGV curators as they attempt to re-stage the original show for its 50th anniversary.

An unusual work, MEMORIES AND DREAMS combines documentary and animation styles in a powerful evocation of time and place. The film is the story of one woman's experience from childhood to the early years of adulthood, set against the tide of European history, which eventually carries her from her homeland to Australia. It weaves a poetic narrative from emotions, memories and inner imaginings and was developed from an original idea by producer, Julie Stone and director, Lynn-Maree Milburn. Director of photography, Andrew De Groot, assisted in all areas of post production.