Albert Marcoeur

Midi Première is a French variety show presented by Danièle Gilbert, directed by Jacques Pierre and broadcast from January 6, 1975 until January 1, 1982 on TF1. The program was generally broadcast between 12:15 p.m. and 12:55 p.m., then giving way to the 1:00 p.m. TV news. However, the broadcast schedule could change, depending on the guests, and the setting where the recording of the program was shot. Certain performances by artists who have become cult like the one where Ringo jostles with a demonstrator in interpretation (1977), that of Dalida with the title There is always a song with the soundtrack that does not start, twice, at the right speed (1978), Claude François and his Clodettes, who, in the provinces, are unable to join "the set" in order to interpret his song, the latter being taken by the crowd of delirious fans (summer 1977) . The group Supertramp performed there with the title "Dreamer" on March 8, 1975.

Al and Elsa have been a couple for some time, but the chances that their relationship will be long-lived are few. For one thing, Al is appallingly dependent on Elsa for his every emotional need. For another, Elsa is an incredibly elusive person, extremely difficult to pin down about anything - especially whatever is bothering her. How they have managed to survive this long is a cause for wonder. When Al gets an opportunity to be cast in a movie role, complete with no-cost occupancy in the casting agent's ugly but fashionable apartment, he jumps at the chance to provide a little material satisfaction for his beloved Elsa. But what exactly does she want?

After a businessman is captured by kidnappers, his rescue seems incumbent on a group of filmmakers, rather than a lackluster police force -- a premise that is matched by the rest of this movie. The kidnapping victim rambles on philosophically with his captors, who end up leaving him alone -- thereby providing him with a chance to escape. As he makes a break for it, he is literally hounded by some guard dogs. Then there are also some interviews with people who know one of the kidnappers, though it is not clear why. Neither the victim, nor the kidnappers, nor the filmmakers can compete with the canines, the only protagonists who add some bite to the action.

A Parisian lawyer moves to a working-class neighborhood in an attempt to shed his social conditioning and bourgeois values.