Philippe Avron

Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.

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Quentin Durward is a French-German swashbuckler TV series. It was produced in 1970, directed by Gilles Grangier and broadcast in 1971. The series starred the German actor Amadeus August as the protagonist and the French actress Marie-France Boyer as Isabelle de Croye. The series was based on Sir Walter Scott's in 1823 published novel Quentin Durward. It concerns a Scottish soldier who serves French King Louis XI while the King has to overcome the schemes of his rival Charles the Bold and Jean Balue. The TV series kept close to the classic novel and was often shot at historic French locations. The French version consists of 7 instalments of 52 minutes each, while the dubbed German version had 13 episodes of about 25 minutes apiece. Both versions have been made available on DVD.

Goubi, the simpleton of his village in the French Department Allier, has but one wish: to see Paris. One day, the truckers Grafouillère deposit a drunk Goubi in the biggest market of Paris (the "Halles"). The poor man is completely lost, but the meat merchant Dessertine takes him under his wings when he hears that Goubi was likewise 'raised by the State'...

Pascal Lamorisse is the son of filmmaker Albert Lamorisse. He is also the little hero of some of his father's films (White Mane, The Red Balloon and Stowaway in the Sky). Over the years, Albert Lamorisse, who took his son on all his shoots, sought to transmit his expertise and his passion for filmmaking, even on his last film, The Lover's Wind. There is something in the story of Pascal Lamorisse that touches on a fabulous story: it is the story of the transmission of cinema from father to child.

In the aftermath of war, two men and a woman begin acting more like children than adults, leading to tragedy.

Biography of the life of Guillaume Apollinaire.

Jeanne Jouvert, a crime writer, has won the Quai des Orfèvres prize. Her publisher devises a clever publicity ploy that results in her husband, Alfred, head of the anti-gang squad, being honored in her place. The policeman finds himself quite comfortable as a best-selling author and takes advantage of the situation. Tired of having been submissive for too long, Jeanne plans her revenge. She asks for help from her friend Anne Beaufort, herself disappointed by her husband, who pretends to help Third World countries by selling them weapons. The two of them will prove what they are capable of by organizing a hold-up of the central post office in Paris.

In the 18th century, as the army of Prince De Beaulieu lays siege on the fortress of Marechal D'Allenberg, a young princess sends a soldier out of the fortress to go find her lover.

A burglar joins the circus to escape the police. Yet, he continues his thefts during his off-hours and gets involved in the problems of people around him, while also romancing one of the other circus performers.

Serge follows Hélène in the crowded streets of Paris and manages to seduce her. Werther takes Sophie to her dentist, Raoul, who tries to seduce her too.

A chance meeting with an alluring stranger leads a sports journalist down a twisted path of deception.

At thirty-three, Philippe, an actor who has turned to Commedia dell'Arte, has reached an age where everything he believed in is being called into question, his family life as well as his professional life, and even the importance he attaches to his masks, an importance that may be derisory. His life appears to him without embellishment, without any romanticism. He has taken refuge within himself. He is more alone than ever. The island on which Philippe has landed echoes the same everyday elements, but in an almost mythical, sometimes caricatural way. We encounter characters buried in their little lives, whose hopes and concerns seem futile. Then, in these clouds, in this mist, a lull...

A young man in a cafe is attracted to a girl sitting at another table. He would like very much to approach her but he is very very shy. So, in Walter Mitty's style, he takes refuge in his fantasies, in which he finds it easy to be seductive, saving his lady from every possible and imaginable danger. The trouble is that those who win in their dreams often lose in real life. Except that at times real life surpasses imagination.

This comedy short subject parodies the Alpine expedition documentary genre.