Inês Peixoto

At first glance, Serro Azul may seem like just another typical inland town, quiet and surrounded by mountains, where technological advances such as internet and cell phones have not yet arrived. A place where anyone who passes does not pay much attention, not knowing what is missing, after all, a city that is near Greenville and Tubiacanga could not fail to have its peculiarities. The main one is a source with curative and rejuvenating properties, which is the outermost part of a gigantic aquifer, a huge reservoir of what is becoming the most precious possession of the Earth: water. This source is protected by seven guardians whose mission is to ensure that this wealth does not reach the wrong hands.

Livia and Felipe are in a forbidden love story doomed to end tragically. A century later, they both have a new chance to make their love real again. “Time After Time” is an innovative romance set in two different eras in which characters hold the opportunity to make up for their mistakes, come to terms with the past and write themselves another story.

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Maria is an orphan girl who suffers from her stepmother's wickedness. She then decides to escape in search of the fringes of the sea and takes a long walk through Brazilian folk tales. On her journey, she meets several fantastic characters.

After eight years of a political exile imposed by the Brazilian military dictatorship, sociologist Herbert de Souza returns to his homeland. Alongside democracy activists, he faces the arrival of AIDS and puts the devastating impact of hunger under the spotlight. Overcoming his fragile health and personal tragedy, he creates the largest social awareness campaign in Brazilian history.

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A young medical doctor discovers some paranormal abilities. He can operate people with the assistance of the spirits of dead people.

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Zezé is an 8 year old boy who, although a naughty boy, has a good heart. He leads a very modest life, due to the fact that his father has been unemployed for a long time, and has the habit of having long conversations with a sweet orange tree which is in his backyard. Until one day he meets Portuga, a man who begins to help him and soon becomes his best friend.

This is the story of Vicente, a successful, married, economist with a nine-year-old son. It also tells the story of Antônio, the same man, living as a hugadores—one of the homeless, trash scavengers who live and work in Brazil’s enormous garbage dumps. Vicente seems to have it all, but as we watch his life begins to crumble little by little. Meanwhile, Antônio, already at rock bottom, struggles to rebuild his life.

A young girl of 13 lives with her mother on an isolated property. They are awaiting the return of their father and husband. But instead, another man appears, transforming the relationship between the mother and daughter. Based on two short stories by Brazilian poet Hilda Hilst.

In the shimmering heat of Brazil, 13-year-old Irene discovers a dark secret her father's been hiding: he has another family and even another daughter with the same name.

Luzimar cycles each day to and from work at the local cotton mill in his hometown of Cataguases, Minas Gerais, Brazil. He is a hard-working man, trying to make the most of what he has. One day, his childhood friend Gildo reappears, driving a fancy car and boasting of his successful life in São Bernardo do Campo, São Paulo. As the two sit down for a beer, memories, regrets and old resentments slowly resurface.

William Shakespeare's classic tale of impossible love between two young people from rival families, adapted to the context of Brazilian popular culture by director Gabriel Villela. Considered a milestone in the history of Grupo Galpão and one of the most significant plays in Brazilian theater in the 1990s.

Show fun and cynically the filmography of a completely unknown director who has many projects and screenplays, but has no film produced.

The quiet city of Veredas is home to Casa Rosa, a famous brothel in the backlands of Minas Gerais managed by Ismael's mother, known to everyone as O Filho da Puta. Tired of his life, the young man leaves with his dog towards the coast in search of the father he never knew. Along the way, he finds himself faced with situations that, at the same time as they transform him, insist on reminding him of the fate he is fleeing.

Amancio, young and bohemian man of the 30’s, meets friends at a bar and tell them about his painful treatment to heal a syphilitic ulcer in the stomach. While his story takes air of fantasy and adventure, a rough and drunk man challenges him to prove that he really is cured.

Manfredo seeks out a psychiatrist. The doctor insists on knowing his past, but there is something that Manfredo doesn't want to reveal and he abandons treatment. Dr. Pink starts to chase Manfredo and his life turns into hell.

Mesmerized by the image of an active volcano on the other side of the world, a woman sets out to meet her fury. On the way, without being able to return, she finds herself in an extraordinary pregnancy, starting the account of the journey that gives shape to this play-film, a journey between theater and cinema inspired by the narratives of fantastic realism.

Continuing the exploration of the thin line between truth and performance, Eduardo Coutinho turns his attention to the drama generated during rehearsals for the Galpão Theater Company’s performance of Chekov’s The Three Sisters. As he shoots scenes from the play, Coutinho attempts to capture the very moment in which reality becomes fiction and vice versa—whether through the actors’ bodies and words or in backstage scenes of a performance that will exist only on film.