Johannes Lilleøre

Rejseholdet is a Danish television crime series starring Charlotte Fich, Mads Mikkelsen and Lars Brygmann. Produced by Danmarks Radio, the program aired 32 episodes spanning four seasons from 2000 to 2004. Each episode revolved around an elite mobile police task force called "Unit One" that travels around Denmark helping local police solve crimes. Cases portrayed in the show were loosely based upon actual incidents of sensational crimes such as murders, kidnappings, cross-border sex traffic and child pornography. Rejseholdet won the 2002 International Emmy Award for best drama series.

40-year old political leader Birgitte Nyborg secures her party a landslide victory through her idealism and huge effort, then faces the biggest challenge of her life: how most effectively to use the newly won seats, and how far she is willing to go in order to gain as much influence as possible.

The Danish national police branch PET is in charge of personal protection, mainly of politicians and royal family. That also involves preventive work concerning terrorism, stalking etcetera. Meanwhile several team members must keep op top of personal concerns, such as ethnic background-related concerns and relational troubles at home.

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Copenhagen thirtysomethings Nikolaj and Julie struggle with marriage, baby and work, plus friends of varying maturity.

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Finally, Viktor becomes a fireman, while Anja still do not have the great success of the advertising agency. Fortunately, they have each other and everything is bright as Anja gets a great opportunity at the office while being pregnant. Then Viktor just figure out how to be soft father, understanding man and tough firefighter at once. But how hard can it be?

The film is based on Christian Kampmann's novels: "Certain Considerations", "Solid Relationships", "Clean Lines" and "Other Ways" (1973-75). The Gregersen family is a picture of inner and outer Denmark from the mid 50's to the 70's. The story begins in 1954 in the well-behaved, but not just successful, Gregersen family from the best part of the whiskey belt on the right side of Strandvejen.

The fifth Anja and Viktor film. The couple are short of money. They live with their young daughter in their friends' dilapidated rehearsal space in Sydhavnen, but when the zealous municipal official discovers that they are using the rehearsal space as a residence, and they are now facing eviction unless they can secure funds for an apartment, the family finds itself in a challenging situation.

Thomas has to take over his wife's job of conducting the family orchestra. Two fateful days intertwine. Both are imperfect, unpredictable, and beautiful in their very own way. In these two days, Thomas is confronted with 3 vital things.

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Andreas is warned by a mysterious stranger that his best friend Jannik is in danger. That's all he remembers from his night on the town last night. Was it something he dreamed? When the pieces start to fall into place, he realizes that everything he does is helping to facilitate his friends tragedy. with a circular approach to time, 'The Day After' plays with the idea of causality and the difficulties of accepting wrong doing.

A Vicious Undertow offers a dreamlike narrative—a vision from a stylish, black and white world where music is a language and fabric patterns enhance the mood and define character. Despite the film’s mysteries, and how much it leaves to our interpretations and imaginations, Just bases his work in real emotions, finding every kind of expression in his actor’s faces, hands, and bodies. Resisting this enigmatic story becomes more difficult with each longing glance, haunting melody, and swooning turn of the camera.

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An older man begins dancing in a public square, oblivious to the laughing gawkers who pass by. He seems to want to engage the attention of a young man sitting on a bench who begins weeping. A group of youngsters mimics and mocks the dancer. He's oblivious to them. The music is a sprightly tune that Fred Astaire might have used as he enticed Ginger Rogers into his arms. And didn't he do a lot of dancing in the streets in his movies? Nobody laughed at him. But, of course, he was only on a pretend street in a Hollywood soundstage. We know this is also a setup. Still, it's embarrassing. They're making public displays of themselves. The man, expressionless, continues to dance. The other man continues to weep. One kid starts taking the performance seriously and joins in the dance as a sort of pas de deux. Both men ignore him. And then it's over. We don't know why it began or ended. Courting ritual or celebration of self, it's unclear. (UbuWeb)

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