Masolino D'Amico

After the death of the paranoid emperor Tiberius, Caligula, his heir, seizes power and plunges the empire into a bloody spiral of madness and depravity.

Romeo Montague and Juliet Capulet fall in love against the wishes of their feuding families. Driven by their passion, the young lovers defy their destiny and elope, only to suffer the ultimate tragedy.

A Stalinist assassin tracks exiled revolutionary Leon Trotsky to Mexico in 1940.

Based on Shakespeare's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the fast-rising Cassio over himself, Iago plots to destroy both Cassio and Otello. Iago convinces the jealous Otello that his beautiful wife Desdemona is unfaithful, and that Cassio is her lover. Jealousy is followed by tragedy, then retribution, "Has Heaven no more thunderbolts?"

It is a musical portrait that shines a spotlight on unknown aspects of the creative, visionary and groundbreaking talent of filmmaker and writer, Lina Wertmüller.

Franco Nero and Telly Savalas star in the story of a trio of jewel thieves on the lam after a heist goes very wrong. Wrecking their car they take another unaware that there is a teenager hiding in the back. As the flight becomes more frantic, the young man is discovered, upsetting the balance of the thieves.

A portrait of the mythical Italian actor Marcello Mastroianni (1924-96), a unique performer who was one of the kings of European cinema.

Necessarily far from the spotlights, Monica Vitti shines in a light intact to the eyes of spectators at every latitude. On scene the artistic path and life full of unpredictable events of an actress both introverted and sunny are recalled, through excerpts from her films and television programs, testimonies of friends and colleagues, leading exponents of Italian cinema of yesterday and today, critics, writers and costume experts.

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In a fascist Rome anxiously awaiting Hitler's visit, Raul is a young man not aligned with the regime and beset by debts. In May 1938, Raul kills an old usurer and her sister: not out of necessity, but to investigate the concept of the "right to kill" ... who can motivate it and assume the right?

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