
Claudia Priscilla
Directing
Known For

No description available.
Transando com Laerte

A portrait of transgender musician and artist Linn da Quebrada, who uses her body and performances as weapons to fight sexism, homophobia, and racism.
Bixa Travesty

No description available.
Eu Deveria Estar Feliz

Through a life story the film deals with issues related to human rights, such as the right to difference. The character's life is presented from others, otherness as a logic. The spectators complete the senses and gradually realize that this is a homosexual who, still in his adolescence, became a transvestite; "Amapoa" is a term that comes from Yoruba and has become transvestite slang for women. The film has a brutal ending, revealing that the character suffered a strong violence. Homophobia. The approach leads to identification with the character and allows reflections on the intolerance of today's society.
Amapô
Jean-Claude Bernardet, Brazil’s most important living film critic, is old and sick, but tries to reinvent himself through his long disintegration. Shifting between fiction and documentary, A Destruição de Bernardet uses unusual tools to trigger his memory and to make him tell his story.
The Destruction of Bernardet

Syllvio Luccio is a transsexual male being transformed in the middle of the Brazilian dry lands, a region of high temperatures, poverty and where male’s virility is extreme.
Look at Me Again

No description available.
Leite e Ferro
When a love leaves, what piece does it take from us that we will never find again?
O Nosso Amor Vai Embora

A documentary about actress Phedra D Córdoba, Cuban and transsexual who lives in downtown São Paulo.
Phedra

A documentary made in Mexico City about a singular character and her feelings about sex and religion.
Sex and Cloister
The cartoonist Laerte goes a long way through São Paulo searching for a certificate.