Aaron Sillis

An adaptation of the successful stage musical based on Victor Hugo's classic novel set in 19th-century France. Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House.

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.

Palo Santo, a city on a distant planet, on which human beings are a rare commodity, worshipped and idolized by an android society. Olly, along with the final humans, is recruited to perform in a series of bizarre erotic cabarets, for an artificial master known only as The Showman.

Full-length dance piece, featuring music specially composed by electronic pop legends the Pet Shop Boys and choreographed and directed by Javier de Frutos, which premiered at Sadler's Wells in London in early 2011. Based on the Hans Christian Andersen fairytale of the same name and adapted by acclaimed playwright and director Matthew Dunster, it sees modern dance set in a traditional three-act narrative and features former Royal Ballet star Ivan Putrov alongside principal dancers Clemmie Sveaas and Aaron Sillis. Featuring design, lighting and film content by an impressive creative team including Tony Award-winning designer Katrina Lindsay and BAFTA-winning film animator Tal Rosner, the programme also includes exclusive behind-the-scenes access and interviews with the Pet Shop Boys, Javier de Frutos and others involved in this ambitious production.

Shot on location for the Manchester International Festival, the film shows the work twigs created and filmed one per day during her week-long residency last year. Conceptualized as an abstract autobiographical piece, Soundtrack 7 includes performances set to “How’s That”, “Ultraviolet,” and “Good to Love” among others, and is bound together by a striking, repeated recitation of Thomas Wyatt’s poem “I Find No Peace” (an excerpt from which opened twigs’ critically acclaimed LP1). Emphasizing the grit and physicality of dance, twigs describes her latest project as “flesh, sweat, feeling, muscle, and a live movement, no air brushing, no frills.” -BAMCinematek

Short film made by Kylie & Garibay for their collaborative project.