Giorgos Ninios

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Tormented by his memories, the writer Kostantis Manolopoulos takes stock of his life. Lost loves, old enmities, secret desires outline the Greece of the '50s, a Greece full of mothers, aunts, friends, enemies who share their lives in the neighborhoods, in the cafes and in the brothels. Among them, the writer's friend, Louis, tries to show him in every way that in this world, anything can happen...

The Alceste (Betty Livanos) is a fifty-year woman with two daughters, who still retains the youthful glow of years. The decision to follow her lover to England resulted completely disrupt relations with Mika (Christiana Matzouranis), her great daughter. When Alcestis decides to settle in Greece, wants to make a new beginning with her daughters. But Mika confronts her icily, and never accepted behavior of her mother. A legacy in Galaxidi addressed Alcestis and her daughters, imposing the coexistence of the family. Only that Mika has decided to send a representative to husband, Marino (Haris Romas), a winemaker ... Behind the aggressive attitude of Marino for the charming mother of hiding a strange eroticism to unforeseen development, which causes many comical situations ...

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In this Greek romantic comedy, Athens bus lines manager Voulis (Giorgos Ninios) has given up trying to salvage his marriage. Instead, he devotes time and energy to feeling-up cute commuters, eventually developing a fascination with one passenger in particular.

Journalist Costas Tsarouchas reveals the recipient of the stolen goods from the great theft of the Esterházy collection from the "Museum of Fine Arts" in Budapest, in November 1983, as revealed by evidence from the investigations he conducted.

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Every action causes a reaction. Newton's 3rd law does not only explain the relationship between bodies and "momentum" in classical mechanics, but also human relationships and the "momentum" that characterizes them, in general. Relationships with others and with ourselves. The relationship between the present and the past. The relationship between the perpetrator and the victim. Family dramas, love affairs of loyalty and infidelity, serial killers, crimes of honor, passion, revenge, punishment, necessity.

On the morning of the World Cup final, Karamanos, an employee of the Greek Telecommunications Organization (TOE), connects his commander's personal computer to a devilishly complex and explosive device. He threatens to blow up the floor and the satellite dishes above if he is not allowed to appear on the national network 10 minutes before the football match to denounce all the wrongs that plague the lives of Greek citizens and make them victims of a partisan and corrupt state.

This is a series of intersecting stories. A petty crook and former lover of a lazy ingénue steals the box-office receipts from the Odeon of Herodus Atticus, on the day an important football game is also taking place. There is also the story of the half-mad mother of the ingénue who refuses to put shoes on because she believes that shoes lead people astray. An eccentric grave-digger produces a two-seater coffin for couple-victims of car accidents. The film also tells the story of one of the Odeon's cleaning women and of a watermelon that goes all around the city, pursued by a tired theater technician and his sister, who is a tour guide. The impresario conducts an inquiry after the theft, but the thief and his two associates, the ingénue and the technician, use what was stolen to set up a small theatre. Small everyday stories and comic incidents combine to create a portrait of modern-day Athens.

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