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Barbara Billingsley

Barbara Billingsley

Acting

Biography

From Wikipedia, the free encyclopedia Barbara Billingsley (December 22, 1915 – October 16, 2010) was an American film, television, voice, and stage actress. She gained prominence in the 1950s movie The Careless Years, acting opposite Natalie Trundy, followed by her best known role, that of iconic 1950s mother figure June Cleaver on the television series Leave It to Beaver (1957 – 63) and its sequel The New Leave It to Beaver (1983 – 89).

Known For

The Love Boat
6.3

Passengers who search for romantic nights aboard a beautiful ship travelling to tropical or mysterious countries, decide to pass their vacation aboard the "Love Boat", where Gopher, Dr. Bricker, Isaac, Julie, and Captain Stubing try their best to please them, and sometimes help them fall in love. Things are not always so easy, but in the end, love wins.

The Love Boat

1977
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6.8

Four Star Playhouse is an American television anthology series that ran from 1952 to 1956, sponsored in its first bi-weekly season by The Singer Company; Bristol-Myers became an alternate sponsor when it became a weekly series in the fall of 1953. The original premise was that Charles Boyer, Ida Lupino, David Niven, and Dick Powell would take turns starring in episodes. However, several other performers took the lead from time to time, including Ronald Colman and Joan Fontaine. Blake Edwards was among the writers and directors who contributed to the series. Edwards created the recurring character of illegal gambling house operator Willie Dante for Dick Powell to play on this series. The character was later revamped and spun off in his own series starring Howard Duff, then-husband of Lupino. The pilot for Meet McGraw, starring Frank Lovejoy, aired here, as did another episode in which Lovejoy recreated his role of Chicago newspaper reporter Randy Stone, from the radio drama Nightbeat.

Four Star Playhouse

1952
The F.B.I.
5.6

The F.B.I. is an American television series that was broadcast on ABC from 1965 to 1974. It was sponsored by the Ford Motor Company, and the characters almost always drove Ford vehicles in the series. Alcoa was co-sponsor of Season One only.

The F.B.I.

1965
Leave It to Beaver
7.0

An inquisitive and often naïve boy, Theodore 'The Beaver' Cleaver, has adventures at home, in school, and around his suburban neighborhood. The show also starred Barbara Billingsley and Hugh Beaumont as Beaver's parents, June and Ward Cleaver, and Tony Dow as Beaver's brother Wally. The show has attained an iconic status in the US, with the Cleavers exemplifying the idealized suburban family of the mid-20th century.

Leave It to Beaver

1957
Murphy Brown
6.4

Murphy Brown (Candice Bergen) is a recovering alcoholic who returns to the fictional newsmagazine FYI for the first time following a stay at the Betty Ford Clinic residential treatment center. Over 40 and single, she is sharp tongued and hard as nails. In her profession, she is considered one of the boys, having shattered many glass ceilings encountered during her career. Dominating the FYI news magazine, she is portrayed as one of America's hardest-hitting (though not the warmest or more sympathetic) media personalities.

Murphy Brown

1988
Amazing Stories
7.5

A truly amazing, fantastical, science fiction, funny and odd, and sometimes scary, sad and endearing anthology series presented by Steven Spielberg with guest appearances by many famous actors, actresses, and directors.

Amazing Stories

1985
Empty Nest
6.0

Widowed pediatrician Harry Weston is a miracle worker when it comes to dealing with his young patients, but he's more challenged by the other people surrounding him: daughters Barbara and Carol; his wisecracking office assistant, nurse LaVerne Todd; and obnoxious neighborhood mooch Charley Dietz. Thank goodness he always finds a friendly shoulder (and a warm, wet tongue) in Dreyfuss, his enormous dog.

Empty Nest

1988
The Ford Television Theatre
7.8

This show started in New York City, with Broadway actors and actresses. It then moved to Hollywood, California, where Hollywood actors and actresses headed the cast.

The Ford Television Theatre

1952
Mork & Mindy
7.1

A wacky alien comes to Earth to study its residents and the life of the human woman he boards with is never the same.

Mork & Mindy

1978
Monsters
7.1

Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. Similarly to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode features a different monster, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats.

Monsters

1988
Parker Lewis Can't Lose
7.4

Parker Lewis is a teenager who apparently can't lose. He's cool, cute, popular, hip – and seems to get away with anything. That's not to say he's got no problems. His two primary nemeses are school principal Grace Musso, whose goal is getting Parker expelled; and his little sister Shelly, whose sole purpose seems to be tattling on Parker. However, with best friends Mikey and Jerry, Parker takes on the world and makes the best of high school.

Parker Lewis Can't Lose

1990
The Abbott and Costello Show
7.2

Bud and Lou are unemployed actors living in Mr. Fields’ boarding house. Lou’s girlfriend Hillary lives across the hall. Many situations arise leading to slapstick and puns.

The Abbott and Costello Show

1952
Bobby's World
7.0

Bobby Generic lives in a typical suburban neighborhood and uses his overactive imagination to discover a world of daring adventure, incredible wonder and lots of laughs — all in pint-sized perspective.

Bobby's World

1990
Muppet Babies
7.9

The Muppet Babies (Kermit, Piggy, Gonzo, Fozzy and company) live in a large nursery watched over by Nanny. The babies have active imaginations, and often embark upon adventures into imaginary worlds.

Muppet Babies

1984
Cavalcade of America
4.6

Cavalcade of America is an anthology drama series that was sponsored by the DuPont Company, although it occasionally presented a musical, such as an adaptation of Show Boat, and condensed biographies of popular composers. It was initially broadcast on radio from 1935 to 1953, and later on television from 1952 to 1957. Originally on CBS, the series pioneered the use of anthology drama for company audio advertising. Cavalcade of America documented historical events using stories of individual courage, initiative and achievement, often with feel-good dramatizations of the human spirit's triumph against all odds. This was consistent with DuPont's overall conservative philosophy and legacy as an American company dating back to 1802. The company's motto, "Maker of better things for better living through chemistry," was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.

Cavalcade of America

1952
Elvira's Movie Macabre
7.0

Elvira, Mistress of the Dark, presents low-budget scary movies and provides sarcastic, campy commentary all while bringing the voluptuous charm & energy that only she can give.

Elvira's Movie Macabre

1981
Airplane!
7.3

An ex-fighter pilot forced to take over the controls of an airliner when the flight crew succumbs to food poisoning.

Airplane!

1980
No image
7.8

The George Gobel Show is an American television series hosted George Gobel that aired on NBC from 1954 to 1960.

The George Gobel Show

1954
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8.5

The Pepsi-Cola Playhouse is an American dramatic anthology series that aired on ABC from 1953 to 1955, sponsored by Pepsi-Cola. The show was hosted by Arlene Dahl, Anita Colby, and, finally, Polly Bergen

The Pepsi-Cola Playhouse

1953
The New Leave It to Beaver
6.6

The New Leave It to Beaver is an American sitcom sequel to the 1950s and '60s series, Leave It to Beaver. The New Leave It to Beaver began with the 1983 CBS TV movie Still the Beaver, and was picked up in 1984 as a Disney Channel series with the same name; however, it only lasted one season. It was then picked up by TBS in 1986 and renamed The New Leave It to Beaver. The series, also syndicated in the late 1980s, lasted until June 1989. It is one of the rare examples of a television series revival sequel that revolves around the characters from the original series. Other examples of this would be The New WKRP in Cincinnati, The Brady Brides, What's Happening Now!! and the 2012 version of Dallas. The New Leave It to Beaver is the second longest running of any series revival in television history.

The New Leave It to Beaver

1984