
André Novais Oliveira
Directing
Biography
André Novais Oliveira (Contagem, July 13, 1984) is a Brazilian filmmaker. He was a founding partner of the production company Filmes de Plástico, created in 2009, in partnership with filmmakers Gabriel Martins, Maurílio Martins and Thiago Macedo Correia. Novais directed several short and feature films that were shown and awarded at the most important film festivals in the world, including the Cannes Festival, Brasília Festival, Brazilian Cinema Grand Prix, Guarani Brazilian Cinema Award and others.
Known For

Gilberto and Jacira promised to grow old together – for better, for worse, for richer, for poorer, in sickness and in health. Till death them do part.
If I Were Alive

Bia just turned eighteen. The end of the year is coming and also the ACTs. People at school and Bia’s parents are pressuring her to decide which graduation she will apply for. Bia doesn’t want to do anything.
Nothing

A middle-class Black family in Brazil copes with the election of a far-right extremist president. The mother believes that she's cursed after an unexpected encounter, while her husband puts all of his hopes into their son's soccer career.
Mars One

It's the Silva family's first Christmas after Dona Zelina's death. Bel keeps the tradition alive but clashes with her sister as tensions rise. Amid fights and gossip, Luciano plans to reveal he's marrying a woman no one in the family met.
O Natal dos Silva

The story of a family who has their lives crushed by the tragedy of the floods in Mariana (Minas Gerais, Brazil)
When the Earth Trembles

Zeca tries to get up early to catch the bus and arrive an hour and a half later at the neighboring town’s school, where he works as a librarian. Waking up early is evermore difficult: something prevents him from maintaining his routine. One day, Zeca meets Louisa.
The Day I Met You

In order to take a new job as an employee in the public sanitation department, Juliana moves from the inner city of Itaúna to the metropolitan town of Contagem in Brazil. While waiting for her husband to join her, she adapts to her new life, meeting people and discovering new horizons, trying to overcome her past.
Long Way Home
No description available.
Rapsódia Para o Homem Negro

A man waits on the top of his house's roof with his friend. They are talking to each other until this friend realises something quite strange.
Fantasmas

Luiza will turn 15. Raquel has some dreams.
Fifteen

Erik, a 13-year-old boy, has a platonic crush on Sheila and, to get closer to her, claims to have a tape at home with the legendary “last episode” of the cartoon Dungeons & Dragons. With the help of his friends, he seeks a way out of the mess he has gotten himself into, experiencing an intense coming-of-age story.
O Último Episódio

Another day in the life of an elderly couple in the suburbs.
Backyard

After having invaded liquid, gaseous and solid substances, a strange voice takes possession of a woman's body and for the first time experiences the taste of something truly human. Together, the voice and the body seek for belonging and an identity of their own as they question their roles within society.
Dazed Flesh

The inhabitants of the Brazilian city of Contagem yearn for a better life. At the core of it all is Selma, a woman dreaming about the heart of the world: it could be anywhere, as long as it's a place where to feel happier.
In the Heart of the World

Travel through time without leaving your place.
When Here

With its obvious simplicity, the film’s title happens to set the mood of the film, or at least its guiding principle: staying anchored in everyday life. More precisely, the life of Maria José and Norberto, who have been married for 35 years and who live in Contagem, in the suburbs of Belo Horizonte. Their marriage is on the rocks, which leads their two sons to also wonder about the future of their own relationships with their wives. The story is quite ordinary. How can one capture such an impercep- tible shift in the heart of the banality of things, only made more noticeable by a crisis? Filming his own family, his own parents, his brother and himself, André Novais Oliveira has chosen to take his time. He shots long sequences, leaving enough time for the fictional situations on which he puts his characters to grow and unfold. Then he uses wide frames to linger on more mundane, concrete or at times farcical moments: eating an orange, cooking, watching television...
She Comes Back on Thursday
No description available.
Constelações

In 2011, during a blackout in an outskirt neighborhood’s street, a family – surrounded by candles that light conversations and thoughts – awaits the return of electricity. Now, ten years later, the light tries to impose its place towards the shadows of memory.
Ataléia Street

Sandra waits to be called up for Saturday's game, waits for dinner with her father, waits for the appointment.
Sandra Espera

An event, four people and the city of Contagem.