Ricardo Pretti

Otavio and Gilda are a very wealthy couple of the Brazilian elite who have the habit of eating their employees. Otavio owns a private security company and is a notable member of The Cannibal Club. When Gilda accidentally discovers a secret from Borges, a powerful congressman and the Club’s leader, her and her husband’s lives are in grave danger.

Paris - an American who recently arrived in Brazil - and the Brazilian Thais begin a simple friendship sharing feelings and sensations, even if they do not understand a single word each othar says.

André is a broken man, who lives isolated in a forest. The forces of nature embrace his body as he drowns in his effervescent inner world. Between the insomnia and the dreams, André is haunted by his past. He wishes to deconstruct himself, heal his sorrow and take the responsibility from his acts. He puts himself before the abyss where he must embrace his ghosts and change his skin in order to survive.

Shirley has left the big city to live in a small seaside town and look after her elderly grandmother. She drives a tractor on a local coconut plantation, loves rock music and wants to be a tattoo artist. She feels trapped in the tiny coastal village. She is involved with Jeison, who also works on the coconut farm and who free dives for lobster and octopus in his spare time.

After receiving a strange picture postcard, Marina knows there’s nothing else to it but to return to Rio de Janeiro, the beautiful city that here seems threatening and almost enchanting.

The living call for revenge. The dead minerals and vegetables demand revenge. It is the hour of general protest. It's time for the destroying flights. It's time for the barricades, the shootings. Famines, desires, cravings, lost dreams, miseries of all countries, unite.

Muanza, a woman born in the Kingdom of Kongo in the early nineteenth century and trafficked to Brazil, awakens to find herself in the present, roaming the streets of Rio’s rapidly changing port region, known as ‘Pequena Africa’, or Little Africa.

The night side of a modernist icon. The fauna and flora of Roberto Burle Marx's gardens inhabited by visitors to Parque do Flamengo while the city of Rio de Janeiro falls asleep.

Miguel —alias Tibars, alias “Djon África,” born and raised in Portugal— is a kindhearted Rastafarian who loves women and lives a carefree life. Until one day a stranger tells him he's the spitting image of his father, “a player and a crook.” His father, whom he never even knew! This intriguing discovery makes him change tack. Particularly when his grandmother, who always took care of him, finally tells him how his father was in prison; how sad Miguel was as a toddler when he couldn't see him; how his father was banished to Cape Verde. Miguel goes there to visit him. Who is this man?

A man caught in the verge of freedom. He penetrates a city where the boundaries between reality and dream disappear. He crosses the landscape without belonging to it anymore. A farewell before departing.

Joana D'Arc, a former public school teacher in Rio de Janeiro, tries to recover her home, lost to the City Hall. The trajectory is shared by the pirate fisherman Pharaó, from Guanabara Bay.

In Fortaleza, Brazil, Eugenio, Joaquim and João use a clandestine radio to scream their hunger for freedom and revolution. They hack the traditional radio stations, overwhelming them with poetry, rebel music, quotes, sound archives and provocations, attacking the bourgeois and capitalistic society. But one day, Salomé, a mysterious and beautiful listener, crashes into their lives, transforming their destiny.

"For one human being to love another: that is perhaps the most difficult of all our tasks, the ultimate, the last test and proof, the work for which all other work is but preparation." Rainer Maria Rilke.

A sweet couple invite a third person over for the night, who brings a lustful energy to spice things up.

Gatto and Barbot are lifelong companions for more then 40 years and have just moved to a big decayed and abandoned building downtown Rio de Janeiro, where they start to live and promote their dance company rehearsals. The difficulties of everyday life are merged to artistic creation and to their belief in the Orishas gods. Through dance they spread through the city, occupying their territories.

Samuel, the last free-diving fisherman, has lived isolated in the island of La Aguja since he was abandoned by his wife and son 15 years ago. His life is disrupted when his son shows up now as Priscila, a transgender prostitute from the streets of Santa Marta, Colombia.

A film about the city. A film about people. We are living at the beginning of the era of urban society. A new field still ignored and unknown. And the scenario for the future is not yet established.

In the 1950s, in Rio de Janeiro, Lota Macedo Soares married the American poet Elizabeth Bishop. A few years later, Carlos Lacerda, a friend of Lota's, became governor of Guanabara and invited her to create a park where a 7-kilometer landfill had been built. Flamengo Park would become the second largest urban park in the world.

The mayor of the city of Rio de Janeiro wants to go down in history. For this purpose, he decides to separate Rio from Brazil and create a new country.

The sequence of graduation of law graduates in Seu Cavalcanti helps to understand the Sergio Moro phenomenon in Brazil.