Til Erwig

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

A police department, lead by an older, experienced detective solve crimes together.

Derrick was a German TV series produced by Telenova Film und Fernsehproduktion in association with ZDF, ORF and SRG between 1974 and 1998 about Detective Chief Inspector Stephan Derrick and his loyal assistant Inspector Harry Klein, who solve murder cases in Munich and surroundings.

SOKO 5113 is a long-running German police procedural television series. It was first aired in 1978 on 2 January. SOKO is an abbreviation of the term "Sonderkommission" in German.

Follow the everyday work of a fictional police station on the Kiez of Hamburg.

Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Pumuckl is a Kobold from a German radio play series for children. He is a descendant of the Klabautermänner. He is invisible to people around him except for the master carpenter Eder with whom Pumuckl lives. Pumuckl was invented by Ellis Kaut for a radio play series of the Bavarian Radio in 1961. Later on it was turned into a very successful TV series. Three movies and a musical also deal with the adventures of the little kobold. Pumuckl is one of the most popular characters in children's entertainment in Germany and several generations have now grown up with the cheeky but funny little Kobold.

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Anwalt Abel is a German television film series, broadcast on ZDF between 1988 and 2002. 20 television films were produced, based on the detective novels of Fred Breinersdorfer.

Crime series about Hamburg customs investigator Hans Zaluskowski, who joins forces with his colleagues to take on smugglers and fraudsters. In doing so, he not only has to contend with opaque EU customs regulations, but also solve tricky cases with international implications.

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Es muss nicht immer Kaviar sein is a TV adaption of a novel of the same name by Austrian author Johannes Mario Simmel. Directed by Thomas Engel Siegfried Rauch walks in the footsteps of O. W. Fischer who played the protagonist "Thomas Lieven" already in 1961, just one year after the bestseller had been released. The series is unique for providing a little cooking show at the end of each episode. The book also includes recipes because "Thomas Lieven" is an accomplished amateur cook.

Cliff Dexter was a detective series in the ZDF 1966 until 1968. It produced two seasons each with 13 episodes each 25 minutes, lead actor was Hans von Borsody. Other performers have included Hans Schellbach as Commissioner Meinert, Sabine Bethmann as Jacqueline and Andrea Dahmen as Carrol. In two episodes occurred Günter Strack. Cliff Dexter is a former FBI agent who - working as a private investigator - in a German city. Parts of the series were filmed in Hamburg, including the startup sequence, runs in his Mercedes Benz Dexter Cliff SEb convertible through the Wallringtunnel to his office. The series was, although popular with audiences, not continued after 26 episodes, probably partly because the critics little good at the 'pocket-Bond' was. Yet in this series broadcast period 1966-1968 reached regularly 36-38 million viewers.

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