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Thirty Cases of Major Zeman is a Czechoslovak action-drama television show intended as a political propaganda to support the official attitude of the communist party. The series were filmed in the 1970s. Each episode encompasses one year, and investigations are stylized to that year. Most are inspired by real cases. The series follows the life of police investigator Jan Zeman during his career from 1945 to 1975.
Stories from a daily life of children attending a regular school.
The miniseries depicts the fate of the residents of an apartment block in Prague’s Jewish quarter following the invasion by German troops in 1939. Among them is an elderly widow who had once disowned her son and now wishes to bring him to Brazil; there are also the owners of a stationery shop, who are driven to ruin by the German occupiers. The caretaker Glaser, who is of German descent, also comes under pressure when his son is arrested in a communist pub. To save his own skin, he informs on two young people who are active in the resistance.
The hero of the opening story, the Postman Puppet (directed by Zdeněk Troška), works as a postman in the mountains. When his wife is taken to the maternity ward, he goes on his usual hike through the solitudes. Little Libor goes after the father of two girls (Petr Pospíchal), who longs for a son. Meanwhile, the weather on the ridges worsens sharply. An experienced mountaineer and his little friend spend the night in a makeshift shelter... The second episode of Hádanka (directed by Jan Ekl) has a criminal plot. A new father (Vlastimil Hašek) gets drunk with friends in a wine bar and the next day becomes a suspect in a murder. He doesn't remember the critical moments, but his testimony leads to the capture of the real perpetrator... The main character of the final short story True Love (directed by Vladimír Drha) is a frat boy (Pavel Zedníček) who spends whole days in pubs. He gets a harsh lesson from his wife, who refuses to let him see the baby...
The trenches of World War I provide for a captivating backdrop to the drama of Corporal Hoferik. In his devotion to the Habsburg Monarchy, he fanatically carries out his military orders, but he ultimately suffers the Empire's disfavor.
A psychological film about the sense of self-fulfillment of a divorced couple over 30 who feel that life is slipping through their fingers. While she, a nurse by profession, is adapting better, he, unreliable and always improvising, is searching in vain for his clue and even tries to get back to his ex-wife.
Three separate short stories by Jan Drda from the collection The Dumb Barricade: The Dynamite Watchman, Hatred and Traces.
In a Prague shop, an assistant has been carrying on an affair with the dishonest, married manager. An emotionally repressed auditor with domestic problems of his own uncovers serious stock discrepancies. A test of loyalties and a questioning of values concludes in tragedy.
Young script-writer Frantisek (Petr Cepek) is hired to write a film script based on the successful novel Looking Back. He meets with the novel's female author, a University professor and writer named Olga Machová (Jirina Trebická), approximately ten-years-older than him. In the beginning, they do not understand each other at all. Frantisek is a skeptic experiencing a moral crisis, unsatisfied with both his work and his private life - he lives separated from his wife and has no deeper feelings for his numerous lovers. He even gets drunk from time to time and breaks the public peace. Olga is lonesome, too, but considers her life fulfilled.
The ten-year-old orphan Borisek is fathered by the entire military unit. The boy serves there with determination as a medic. When he and the soldiers reach Bohemia, he meets the mother of the soldier he saw die, but for a long time he does not find the courage to tell her the cruel truth...
The film depicts the fate of the residents of an apartment block in Prague’s Jewish quarter following the invasion by German troops in 1939. Among them is an elderly widow who had once disowned her son and now wishes to bring him to Brazil; there are also the owners of a stationery shop, who are driven to ruin by the German occupiers. The caretaker Glaser, who is of German descent, also comes under pressure when his son is arrested in a communist pub. To save his own skin, he informs on two young people who are active in the resistance.
The film, which opens with students arriving at a police academy, is a crazy comedy that is more a series of zany episodes and jokes than a coherent story. They are linked by a simple plot in which the commander of the police academy, Major Maisner, searches among his recruits for an alleged FBI spy and, after a not-so-subtle practical joke, gets into a dispute with his subordinate, a dispute that ends in a genuine bank robbery.
