Acting
The first Mandarin-language sitcom.
This Japanese-Chinese production based on a novel by Toyoko Yamazaki tells the story of Lu Yixin, a Japanese orphan left behind in Manchuria after Japan's defeat in World War II. Torn between his love for his Chinese adoptive parents and his love-hate relationship with his Japanese biological father, he navigates the turbulent waters of the Cultural Revolution.
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Conflict arises between generations in this Chinese film
It is the late 1920s when six-year-old Yingzi and her family move to Beijing. As Yingzi explores the busy streets and alleys, she befriends a widow who, driven mad by grief, stands vigil at the entrance of her hutong, waiting for her missing daughter to return.
An biography of Zhou Enlai through the Cultural Revolution.
Winner of the Golden Rooster Award in 1982 for Best Film
On his way to Mecca for his pilgrimage, a young Orphan goes to Beijing, where is starts to learn about the art of jade crafting.
An old mother of five struggles to get by after her husband is killed during the liberation war. The simple and kind-hearted Ah-Fu stumbles across them, and tries to help them as much as he can.
A music student and a pilot fall in love.
The film follows the rise and fall of a family in Shanghai. Once wealthy and capitalist, the family unraveled during the Cultural Revolution in the 1960s and 1970s. Their home, once a French concession mansion, was converted into a multi-family dwelling.
On a cold night, psychology student Liu Kai took Jing Huan, a paranoid schizophrenia patient, to a mysterious frozen lake she had often dreamed of. The lake reflected an “8” shape, causing Jing Huan’s expression to change, unsettling Liu Kai. During an internship at a psychiatric hospital, Liu Kai’s classmate Xie Ni, who was in a relationship with him, became interested in Jing Huan, a former factory cashier who developed mental illness after embezzling funds. Xie Ni wanted to study Jing Huan’s condition for a thesis and asked Liu Kai to help her, even arranging for Jing Huan to stay at her home.
Recounts the experiences and deep feelings of two revolutionary predecessors, Li Fuchun and Cai Chang, for half a century, and eulogizes the older generation of proletarian revolutionaries.
After Women’s Story, Peng returns to the most straightforward representation of women’s issues in Shanghai Women, a film about three rural women. As the first work in Peng’s Shanghai Trilogy, Shanghai Women describes the problem that women encounter trying to secure urban (residential) space through the story of women from three generations.
