Andrey Annenskiy

The Supreme Inquisition must certify prosecutors and lawyers, and those who score below the minimum number of points are sent to the Reflection Sector. Needless to say, the independent and ironic Andrei and Venya manage to instantly turn the Supreme Examiner against them.

The Russians seek help in dealing with the Mafia from the veterans of the Police Academy. They head off to Moscow, in order to find evidence against Konstantin Konali, who marketed a computer game that everyone in the world is playing.

Liza is a sophisticated woman who lives in a ‘high class world’. Her husband Peter speaks Russian with a German accent, he owns a chocolate factory. They live in a cold world of minimalistic interiors, holding back their emotions. There are no children in their expensive countryside house but there are expensive greyhound dogs. However, Liza can’t stay stone cold calm, as she has a secret from her past that burns her from inside, one that she would be happy to get rid of forever… And somewhere near there is a burnt room, and teenager Ulya has the keys.

It is a story about the Soviet worker Pyotr and the German engineer Hans, who came to the USSR before the war on a business trip. At a Soviet plant the German team works in cooperation with Russian specialists. Once Hans makes a mistake which causes the explosion of the furnace and human losses. Hans finds himself at the mercy of Pyotr, the only witness to his actions near the furnace. Pyotr also depends on Hans, because Pyotr’s very presence near the furnace entails accusation of subversive actions and a death sentence. Mutual suspicion gives way to silent sympathy and later friendship. They even look like each other, both have small children. Pyotr secretly leaves the town with his family but Hans feels loss rather that relief at the disappearance of the embarrassing witness.

A group of friends and bandmates look to escape from the Chornobyl disaster.

Olga Nikolayevna kills her little son Kolya and then herself. Andrey, the most laid-back and friendly cop in Russia, gets on the case.

A young Russian woman, trying to make it in the big city, is hired for an off-the-books government operation, which involves seducing and later exposing a number of prominent political opposition figures.

Lyudmila is a successful realtor in the capital. Pictures from the past pop up in her memory, and the viewer learns at what cost a single mother from the province managed to cherish Moscow's well-being. Lyudmila's story is typical, it reflects, like in a mirror, the pain points of modern life, forcing us to make our hourly choices. Is it worth a deal with the conscience of material comfort? Is it possible to achieve success in a megalopolis today and remain an honest person? Won't a "bright future" built on betrayal of one's own ideals lead to the decline of genuine human values?