Safy Boutella

After a conviction for theft, Merwan was expelled from France, where he had lived since the age of one, to Algeria, his country of birth. In a foreign country of which he knows neither the language nor the customs, he finds himself stripped of his belongings and on the street.

What musical genre can claim to have gone, in the space of fifty years, from a hidden cabaret in Oran to Super Bowl halftime? Born in Algeria at the end of the Second World War, the raï wave spread from the cabarets of western Algeria to the cassette shops of Barbès in Paris, before sweeping the world at the end of the 1980s. its hybridization, the intoxicating music traveled from Algerian and French weddings to the biggest international stages, before suddenly disappearing from the radar at the dawn of the new millennium. Icons that have disappeared, including Cheikha Remitti and Prince Hasni, to young heirs, passing by the star Khaled, the collector Hadj Sameer trace the tumultuous course of this musical genre, between clandestinity, planetary glory and resistance.

The comedy in this lively film barely conceals its darker, more serious undertones as it chronicles a young Algerian's eye-opening introduction to the joys and travails of being an immigrant in Paris. Alilo has left his home to pick up an important suitcase for his employer. Unfortunately, he has lost the Parisian address. Fortunately, his cousin Mok, emigrated there several years before with his middle-class family before and is able to act as a guide. Mok, an aspiring rap singer, comes from a middle-class family, but chooses to live on his own in the dilapidated deteriorating 18th district, known as 'Moskova.' Mok characterizes the place as a haven for artists and intellectuals, but it is plainly just a Third World slum filled with tightly knit and colorful neighbors. Mok and Alilo have many interesting, some tragedy-tinged adventures over the five days it takes them to find the suitcase.

Le Gone du Chaâba (The Kid of the Chaaba), translated into English as Shantytown Kid by Naima Wolf, is an autobiographical novel by Azouz Begag about his life as a young Algerian boy growing up in a shantytown next to Lyon, France, called the Chaâba by its inhabitants. The story covers a period of approximately three years in the life of the protagonist and deals with issues developing from the clash between two cultures, that of France and that of North Africa, as well as the difficulties of finding a cultural identity between the two. The story focuses on the cultural differences between the Arab and French communities, as well as how the two groups react to each other

Ali is a young Egyptian screenwriter determined to succeed in London, where he has been a student. He loves the artistic and political freedom, the colours, the music, the individualism. But he has little money, his student visa is about to expire and he has been thrown out of his lodgings. And so Ali moves in with a succession of eccentric and colourful London flatmates: Mark, a photographer with a very individual style, Linda, a young, blonde, very sexy model and Marilyn Monroe impersonator, and Miss Stevenson who is convinced that Ali is the reincarnation of her long dead Egyptian lover.

The isolated lives of people on a farm at the top of the mountains are changed by a ten-year-old child named Mirka.

Based on a true story, after the US withdrawal and the fall of South Vietnam to the communist forces in 1975, many people are sent to reeducation camps. Several desperate boys in one of the camps begin planing their escape.

A drama set a little before the 1920s, in which scattered news, stories and rumors spread the presence of a new wealth, oil, leading to the suspicion that a great change was about to take place.

No description available.

At long last, the two Hamlet sisters are allowed to go to Paris by themselves, and the discotheque they have heard about beckons. When the driver for their ride home becomes too drunk to drive, they cannot reach their mother by phone, and it is too late to take the last train back to where they live, they are stranded in town. The girls, who are themselves partly of Algerian descent, are accosted by a disreputable looking older Algerian immigrant, who tries to give them cash so that they can take a taxi back to their homes. They are afraid of him and try to get away from him. He apparently accepts this, but trails them without calling attention to himself. It is good that he does, for they soon run into real trouble, and then they find out that despite his frightening appearance, he means them well.

Moussa, a young Franco-Algerian, returns to Algeria, but adapting to life in his country of origin proves difficult. Just as he is about to leave for France, he is called up for military service, which suits him fine because he is secretly in love with the beautiful Nacira.

The film revolves around the life of the martyr Mustapha Ben Bouleid (1917-1956), who was a member of the Algerian National Movement, who worked with his comrades to explain the idea of the armed revolution in which he led in Aures region in 1954. The film depicts how Ben Bouleid traveled to a number of Arab countries Disguised to bring arms to Algeria for the revolution and how the French colonial forces arrested him in the Tunisian-Libyan border, and from there to Algeria to be sentenced to death.

This romantic, political drama is about the reunion of an Algerian woman who abandoned her lover 35 years earlier to live in France, and the lover who chose to stay in Algeria and fight the French colonials.

This film, is about the courage and the determination of a young woman in djurdjur"as mountain in Algeria, fighting for her ancestor land during the earlier years of french occupation.

Fascinated by the history of his people, Alloune, an old guide at the African museum "La Maison des Esclaves" in Gorée, sets off on a pilgrimage to find the descendants of his ancestors in the United States. This moving journey takes him from the coast of South Carolina to the Harlem neighborhood of Little Senegal, home to the African community. Driven by the idea of reuniting his family across centuries and borders, Alloune traces his roots to a distant cousin, Ida, who knows nothing of his past. The old man also crosses paths with his nephew Hassan, a clandestine cab driver, his fiancée Biram, Eileen, pregnant and a runaway, and Karim, who is seeking a sham marriage to obtain a green card. All four misunderstand Alloune's quest.

Two deaf and dumb children. She is the daughter of an American Oil engineer. He is the son of an Algerian farmer. They meet and manage to communicate, transcending all the cultural barriers that separate them.

On his return to Algeria, Belkacem Hadjadj, a young graduate of INSAS in Brussels, joined Algerian television and signed "Le Bouchon", his first feature in the register of an Italian comedy, around the misadventures of a tenant experiencing a water leak.

The story of a family in the instability and violence that shook Algeria during the riots of October 1988 in the midst of the rise of fundamentalism and intolerance, disappointments and prohibitions, corruption, nepotism and abuse of power. On October 5, 1988, young Algerians occupied the streets... Afterwards, Algeria would plunge into the chaos of the Black Decade which would last more than ten years and leave more than 150,000 dead.

Since childhood, Qays and Layla have been in love. Qays, being a poet, publicly sings of his love, crying it out joyously far and wide - just the sort of public proclamation which was strictly condemned at the time. Distraught yet fearless, Qays stubbornly proclaims with all the more vigor his love for Layla, who remains entrapped by her own clan.

Nadia, an 18-year-old French girl from Moroccan origin, is now of age to get married. Despite her reluctance to marriage during the family summer vacation in Morocco, she finally chooses Samir.