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The youngest daughter of a rich man has been raped by five black men in the slums of Rio de Janeiro, and her father arranges her marriage to one of his employees in order to save the family’s honor.
A stuntman and a saxophonist stand in for two billionaires threatened by killers.
Argentina, as hosts in 1978, were under great pressure to succeed. Amidst passionate supporters, they progressed to the finals with a wonderful blend of attacking football and tough defending. The unlucky Dutch, now lacking Cruyffs' sublime skills, were the fall guys once again in the Final, losing 3-1 in a classic clash of styles. This 1991 reedited version omits controversial interviews from the 1978 original "Copa 78 - O Poder do Futebol", while also including additional television footage of the tournament and newly dubbed English narration instead of the original Spanish.
University student who works in a bank experiences a personal crisis: he is torn between his ambitions and the temptation to engage in the armed movement against the military dictatorship of the time, in Brazil. At the same time, his love life is also confusing: he is unable to choose between two girls: an apolitical rich one, whose main interest is her own sexual liberation; and a working girl with family problems.
On a scorching summer day in Rio de Janeiro, five impoverished black boys venture out of their favela to peddle peanuts throughout the bustling city. As they navigate the various districts of Rio, they bear witness to a series of unfortunate events and encounters, unfolding a vivid tapestry of urban life in Rio de Janeiro during that period. These true misadventures shed light on the gritty reality of the city, unveiling its vibrant urban tapestry.
In the darkness of a rural night, a gypsy clan gathers to mourn their beloved patriarch's in a ritual celebrated through music and dance.
Upon learning that the school where he learned music is going to be expropriated, a famous singer decides to do a show for the benefit of the institution.
In the early seventies in Rio de Janeiro, detective Mariel Moryscötte de Mattos belonged to a special police force called "The Golden Men". This powerful group of the elite of the police was created with the intention of eliminate crime from Rio de Janeiro, and they had privileges above law to expedite their action against the outlaws. However, absolute power in wrong hands corrupts, and this group formed the "Death Squad", executing criminals without the conventional trial from the justice.
Zionists hire a hitman to kill a Nazi war criminal exiled in a Latin American country, where he's being protected by the local dictator. Get ready for gunshots; sex scenes; strange form of tortures; a cocaine-addict priest who helps the dictatorship; contemptous remarks and behavior from the main "hero"; amusing sequences of Chuchu having fun with beautiful women pretending to be James Bond; and the wimp colonel who is in love with a male prostitute. It's all good and fun to watch but remember that this is a product of its era, so it's quite possible to see some objectionable things. But for the most part it's never crass or insanely offensive.
Two young farmers are visited by a stranger who wants to spend the night.
No description available.
After Cláudia, haunted by her husband’s death on a car crash, starts a romance with another man, she starts receiving threatening letters.
Dr. Ferrão, a famous psychoanalyst, uses his daily column on a newspaper to atract women to his practice.
With death getting near, a retired officer remembers the most important passages in his life and his participation in historical events in Brazil, such as the Lieutenants' Movement, and the 1964 coup.
A professor faces a double of himself and hires a detective to find out who that is and what are his real intentions.
A man gets locked naked outside of his apartment.
In Minas Gerais, the powerful "colonel" Alexandrão gets married with the young and virgin Cristina and promotes a huge wedding party in his farm. He eats and drinks a lot along the day, but in his "first night" with the bride, he dies before consummating his marriage. The marital status of Cristina becomes very unusual, being a virgin widow. Her doctor advises her to travel to Rio de Janeiro to rest, and she moves with her aunt to an inherited apartment in Leme. Once in Rio de Janeiro, the rascal Constantino, who is aware of her wealth, courts her and borrows money, clothes and a Mercedes Benz from his friends, pretending he is businessman man. His friends release "stocks" in a parallel stock market, based and supported in the expectation of the possible marriage of Constantino with Cristina. However, the ghost of Coronel Alexandrão appears for her whenever she intends to have sex with Constantino.
A shockingly irreverent follow-up to the rural austerity of Barren Lives, dos Santos’ Godardian social satire owes more than a nod to the self-conscious antics of the French New Wave. The pampered son of a general, El Justicero is a hipster playboy who fancies himself a James Bond/Jean Paul Sartre urban hero. “Archetypical” yet “full of contradictions,” he sees that justice is achieved for the disadvantaged while taking advantage of certain bourgeois perks. His exploits are closely followed and eventually directed by his biographer who decides a film is not only more lucrative than a book, but it gives him the luxury of reviewing previous scenes. Unlike Bond, El Jus eventually experiences an awakening which threatens to compromise the entertainment value and glamour of his life story. - Harvard Film Archive