Helio Souto
Acting
Biography
Hélio da Silva Cotê Figueiredo de Almeida Coutinho, known as Hélio Souto (Rio de Janeiro, March 25, 1929 - Atibaia, October 5, 2001) was a Brazilian theater, film and television actor.
Known For
No description available.
Os Imigrantes
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Como Salvar Meu Casamento
Cousins Charlô and Otávio once had a romance, but today they detest each other. However, fate plays a trick on them: they will receive a large inheritance, on the condition that they live together.
Guerra dos Sexos
No description available.
Chico Anysio Show
The plot revolves around a love triangle between Rosemere, Rafaela, and Herbet Alvaray. They are unaware of the same man's presence in their lives and, due to fate, become friends.
Brega & Chique
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Carmem
After a fall, intelligent young Plácido becomes a little slow. As an adult he works at a bank and his keen intelligence returns when he drinks the soft drink "Super Plá". Other side stories include the love relationship between Baby Stompanato and Joana Martini, and the life of Majô Prado, a neurotic millionairess and prominent personality living in São Paulo.
Super Plá
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A Fábrica
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Uma Esperança no Ar
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Telerromance
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Meus Filhos, Minha Vida
Kiki Blanche is a former star dedicated to her family and her beauty salon, in the South Zone of Rio de Janeiro. In addition to Milena, her legitimate daughter, Kiki raises Fernanda, Paulo, Renata and Regina. The great conflict of the plot is Fernanda's passion for Fábio, a man also loved by Milena.
Locomotives
Sabrina is a wealthy young woman who hides her compulsion to steal from her parents – Hilda and Fred – and also conceals the fact that she rents a room at Lola's boarding house in the Rio de Janeiro suburbs, where she pretends to be a modest young woman looking for work. The parallel plots of the story unfold through these two distinct worlds in which Sabrina lives.
Te Contei?
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Salário Mínimo
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A História de Ana Raio e Zé Trovão
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Olho por Olho
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Vendaval
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A Filha do Silêncio
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O Espantalho
Adapted from the homonymous work by Rachel de Queiroz, it presents the saga of a woman against female submission in nineteenth-century patriarchal society.