Nora Samsó

Spanish film with a score by Joaquín Rodrigo

One unlucky day, a married couple with four children get an eviction notice: the building they live in is to be demolished. The family looks desperately for a new home, which is no easy task in Madrid in the fifties.

Antonio and Elisa, a newlywed couple, go on honeymoon to a seaside hotel, where he, a crime reporter obsessed with uncovering a major crime, finds his big opportunity.

Four sailors are off duty in Barcelona. Capo Campana ordered them to remain together when in the city. But Mario, one of them, falls for Manuela and leaves the other three.

Alfonso de Borbón and his cousin María de las Mercedes de Orleans fall in love and, although both families do not maintain good relationships, young people marry when Alfonso became king of Spain.

Paloma, Isabel, Marion and Julia Madrid are four girls belonging to different social strata, who are preparing to apply for the Red Cross on the flag. The four girls will be sought by many young ...

Year 1860. Rosa Maria, daughter of a wealthy Cuban landowner, is studying at a convent school in Cadiz and requests to return to Cuba after spending many years in Spain. But now the economic situation of his father is disastrous and therefore he tries to delay the return of his daughter, hiding that fact. Rosa Maria knows nothing and, at the refusal of his father, she runs away from school, embarking as a stowaway on a ship bound for home.

Cimera de los Infantes, Castile, Spain. The young men who meet every day in the bar La Rana Verde are bored because they barely have fun, so they decide to seduce the girls who attend a summer course in the historic castle of the town.

Two young and innocent altar boys leave in search of money to buy a new bell for the tower of the village church.

This beautiful, atmospheric Chilean movie (made by an Argentinian director) was unfortunately "cannibalized" by Jerry Warren, who kept about a third of the original footage, together with another third of "La dama de la muerte" (another superb Chilean movie of the same period, made by Argentinian director Carlos Hugo Christensen), then added his own senseless "additional sequences" with John Carradine and Katherine Victor, the final result being the atrocious CURSE OF THE STONE HAND.

No description available.

Shortly after moving to Madrid, a dancer is killed. His condition as a womanizer, in addition to his arrogance, makes us suspect that it is a crime of passion. As the investigation progresses, the doubts and jealousy of one of his neighbors threatens to ruin his family life.

No description available.

A woman tries to run away when she finds out that her nephews plan to kill her.

No description available.