Ma Hsiao-Nung

THE MONKEY GOES WEST is the first entry in the studio’s epic, four-part screen adaptation of “Journey to the West,” a 16th-century novel recounting the efforts of a Buddhist monk and his magical companions to travel to India and bring back Buddhist sutras.

The adventures of a young married swordfighting couple, Lianzhu and Gui Wu, and the swordfighting members of their different clans.

The noted actress Li Li-hua, star of more than sixty films since 1947, beautifully portrays the drugged, then disgraced wife of a peddler in the waning days of the Ching Dynasty. To make matters worse, she’s soon framed for her husband’s murder by her rapist - the son of the local magistrate! And even that isn’t the end of her woes. It’s best to have a box of tissues nearby as two expert directors ratchet up the emotional suspense in this consummate tearjerker.

Grace Chang delivers an eye-opening performance as a lusty nightclub singer climbing the social ladder in seedy Wanchai. Borrowing story and song elements from Georges Bizet’s CARMEN, this Wong Tin-Lam directed musical has flair and polish to rival Hollywood, and a superstar leading lady that would any film industry would have a tough time matching! A key film from the celebrated Cathay Film Studios.

Wang Xinglian returns from her studies in Japan to visit her father in Hong Kong where she has an encounter with the young Japanese Hasegawa Toru. The two meet again and fall in love in Hokkaido when Wang and her best friend Sugimoto Kanako are going on a holiday. Urged by her friend Zhang Yingming to concentrate on her studies, Wang remains ambivalent about the relationship, and is even more upset to realise that Sugimoto is in love with her fellow countryman. Feigning an engagement with Zhang, Wang initiates a break-up with Hasegawa and finds work in Singapore after graduation. Hasegawa learns the real cause of the break-up from Sugimoto in Hong Kong. A frenzy search finally leads to a reunion and a proposal in Kuala Lumpur. However, their love is doomed by a twist of fate as Wang must leave to see her desperately ill father in Hong Kong while Hasegawa has to leave for America to pursue his career.

The Ching Dynasty novel The Dream of The Red Chamber is not only the most widely read, but also the most filmed book in Chinese history. The sprawling love story has proven a challenge to many filmmakers, but this version is acclaimed as the most successful. A sumptuous feature which took three years of planning and another for production, it was a hugely popular and critical hit which still stands out as a classic of both 18th century literature and 1960s moviemaking.

A young woman in search of a lost identity, her long lost mother who abandoned her soon after her birth.

The tragic love triangle of early 20th century Peking Opera star Chiu Hai-tang, his beautiful stage partner, and the warlord who forces himself between them, has been a favorite with Chinese audiences for decades.

FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.

A musical staring Carrie Ku Mei as a singer named Xiaoyun Shi, who comes to Hong Kong after a tour of other Asian countries, hoping to develop her career.

The romance of a squire's daughter and a poor but refined scholar is thwarted when a loutish bandit is mistaken for the scholar by a confused servant and is given the idea that the daughter's hand in marriage is his for the asking. Rich in cross-dressing, mistaken identities, and reversals of gender roles, the film playfully subverts traditional Confucian values.

Young love and its comedy of errors. Hsiao Fang, played by Li Ching, is a spunky young girl not afraid to fight back against hooligans. Unfortunately, she mistakes the handsome Ma Ta-hai, for one such hoodlum. The two are immediately attracted but refuse to admit their true feelings. The real hooligans are from a rich family led by a devious Madam who devise a revenge plot. With plot twists, mistaken identities, along with some terrific musical numbers, romance has never been this much fun.

Huangmei Opera movies like The Pearl Phoenix are unique to 1960's Hong Kong culture, a product of the Swinging Sixties but considerably more in touch with their Chinese roots. This one is complete with a gender-bending tale where the male lead is played by female and the female lead poses as a man, plus movie queen Li Ching and the singing voices of Ivy Ling Po and Jing Ting. Sit back and enjoy!

The film tells the story of Xing Yonghui, a rich girl who has fun with her painter boyfriend Du Shaohua and her classmates. Chen Xiaoping and Guo Dawei fall in love and want to elope, but they are prevented from doing so; Du Shaohua and Li Zhongting fall in love with each other over a painting, causing Xing Yonghui's unhappiness, and Xing Yonghui crashes a car into a rock and wants to die together, causing serious injuries to Du Shaohua and Li Zhongting; Xing Yonghui's suicide is prevented by her shame, but Li Zhongting does not care about the past suspicion, and the two of them recover from the injuries and perform with their classmates on the same day as they had planned to do so.

Comedy of Mismatches begins with widow Sun who single-handedly raises her son Yu Lang (Chin Feng) and daughter Zhu Yi (Li Hsiang Chun). One day, Mother Sun sends her children to the temple, where Yu Lang encounters Hui Niang (Pat Ting). Artist Xu Ya is also at the temple, praying that his daughter Wen Gu (Carrie Ku) will find a good husband. Soon after, Wen Gu encounters nobleman's son Pei Zheng (Wai Mao) and the two fall in love at first sight.

A romantic Han Dynasty adventure epic of a dying Emperor, an Evil Queen, a beautiful Princess, a dastardly royal nephew, and a masked hero, with plots and counterplots galore, complete with cliffhangers and last-second rescues.

The story of a self-disciplined singing girl who has different love endings and experiences.

War and time change everything. Their love becomes more than reunion, it becomes a reckoning with what was and what could've been. Part two of the wartime love story.

Nineteen-year old Li Ching scored a major success playing the title character, Susanna. Li's youthful exuberance is given free rein in a role that embraces rebellion, love, betrayal, tragedy, and ultimately, redemption.

A Shaw and Sons production