Gianni Barcelloni

Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son of a post-war German industrialist, is on the way to lie down with his farm's pigs, because he doesn't like human relationships.

All her life, an overweight girl has been ignored by her rich and attractive mother. But when the ugly duckling becomes a swan, she turns into a world-class tease, exacting her revenge by seducing her mother's boyfriend...

A white-robed preacher wanders and sermonizes across African lands; European communists and CIA spies conspire out of mutual self-interest to engineer the appointment of an African bourgeois to a puppet government presidency; and a revolutionary group marches in exile.

Frankenstein's monster gropes towards the awareness that his mind is a universe; Attila, naked on a white horse, liberates his people from their ignominy; the ultra-caustic Viva bemoans the frustrations of married life and drifts into the elegiac persona of the Bloody Countess Bathory; Louis Waldon is a hip American tourist searching for the (missing) Mona Lisa.

A politically oriented film in which images suggestive of a mock western are accompanied by an attack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema.

After a fight in their apartment, the story of a writer and a painter are divided. The writer is dedicated with his partner Manon to provoke continuous accidents in a field in which car carcasses abound. The painter is recruited to kill, through a poisoned picture, the old Arden to allow the latter's wife, Alice to live with her lover Mosbie.

This film shows people with constant psychological and social conflicts: the violence among outlaws, conflicts between man and woman, police and society.

A deep dive into Glauber Rocha's years exiled in Italy in the 70s. Through a collection of interviews and archives, the movie shows the making of his film Claro (1975) and his relation with European auteurs in their filmic and political views.

A 1968 short documentary film by Pier Paolo Pasolini where he visits India in the search of a king who could give up his body to feed a starving tiger.

A pair of twins, Anna and Tony, leave their country to go to Rome to make their fortune. Anna knows how to sing and Tony knows how to dance. They suffer many setbacks, but they are willing to go the distance in order to succeed.

In the words of the director, a movie about 'the colonizers in the view of the colonized', the movie presents a series of disconnected happenings throughout Europe and Brazil emphasizing the perception of human life as trance-like experiences and thus offering a view of the human history as a connection of symbolic behavior.

A family of Brazilian farmers is desperately looking for work and moves from city to city.

Expedito, after being abandoned by his parents, became Zefa's adopted son until he became a man and started earning his living as an independent fisherman. As soon as he finds out that Zefa is very ill, Expedito runs back home and finds his adoptive mother in agony. At the edge of the bed, a mysterious woman, who claims to be Death, sits.

The video film is the first on Pier Paolo Pasolini, poet and writer in which only the author appears and only his voice is heard: the reading of his verses alternates with interventions on poetry and life. There are very few films on Pasolini writer (those on Pasolini director are frequent) and very few readings of his poems, a lack that has been solved with very rare recordings on disk and radio.