Sadhu Meher

A veterinarian, Dr. Rao, makes a visit to a village, where he intends to commence a co-operative society dairy for the betterment of the rural people. The film is set against the backdrop of the White Revolution of India (Operation Flood) which started in 1970. It was entirely crowdfunded by 500,000 farmers who donated Rs. 2 each.

A man whose wife is abducted seeks to have the culprits prosecuted for their crime, but no one will help him. Meanwhile, the wife—abused and berated by her abductors—cannot bring herself to face her husband.

An illiterate man and his wife live life on the road after their village was destroyed by a flood. When the man's wife gives birth to a deformed baby, proclaimed to be a 'child of the devil' by the local pundit (Hindu priest), he forces them to abandon the infant and exiles them from the community. The couple's journey then takes them on a series of bizarre and heart-breaking revelations.

Haridas Choudhury, a wealthy and honest shoe company owner, faces a moral dilemma when his Chauffeur's son (Bansi) is mistakenly kidnapped instead of his son. Inspector Amar is assigned to the case and while the search for Bansi is on-going Haridas is losing control of his company.

Bhuvan Shome is a lonely widower, a proud old man and a strict disciplinarian. Looking back on the trodden path, strewn with staunch determination and drab attitudes, Bhuvan Shome, a thoroughly unenchanted man, seeks escape in a holiday.

In a small Indian village, a destitute woman's barren, alcoholic husband absconds after stealing toddy. Alone to fend for herself, she ends up relying on the affections of her landlord's to-be-married son who recently returned to look after the estate.

A story of a young, middle-class urban working couple wanting to get married and their tribulations in finding a house in the city of Mumbai.

Sanjay wanted to pursue art, but his father forced him into a career as a train conductor. Unhappy, he meets and falls in love with Shalini but is pressured into an arranged marriage when his father comes to find out. Feeling trapped, he turns to drinking and brothels, until he gets one final chance to escape with Shalini and start his life anew.

Kasturi is a Family drama, where relations and values conflict each other.

Lakhindar captures exotic birds from the Bengal forests, but his refusal to see them caged leads him to constantly set his catches free. This lack of income drives his household into deep poverty, causing his wife to grow increasingly resentful of his compassionate choices. In her frustration, she begins an affair with the middleman who takes the birds to the market.

Chinmay, a young doctor, faces societal resistance when he returns to his village to open a clinic. Despite opposition from the village baidya and sarpanch's son, Chinmay's clinic begins to thrive with the help of Harijan youth Ramu and Sulochana. Anuradha, Chinmay's love interest, supports his efforts, but Gajanan, the sarpanch's son, becomes the main villain and ultimately causes Chinmay's death. Anuradha stays in the village to continue supporting Chinmay's work. The movie explores themes of love and societal challenges.

Sen Gupta, a doctor who only treats upper-class patients, is forced to confront his own moral and medical beliefs as he discovers rural India during an unexpected stop at a village. He finds a breathless man lying on the side of the road. With little sympathy, the doctor sends him back to his own village for treatment. When Dr. Gupta discovers that the villages want a witch doctor to treat the man, he attends the exorcism and is shocked. A transformation of the cold city man then follows.

A British administrator with a flair for game hunting develops a friendship with a commoner who is an expert archer in an Indian village. The movie portrays the relationship between the British colonialists, and native villagers who were exploited by Indian landlords in 1920s India. This happens against the backdrop of the awakening of the Indian people against the British rule.

A young boy wishes to switch roles with his father, and the wish is granted for a trial period. Mrinal Sen made this film for the Children's Film Society of India, based on a short story by Rabindranath Tagore. This happens to be the only work by Tagore that he made into a film.

Kedar Babu is a freedom fighter since the days of Mahatma Gandhi's call for a Civil Disobedience Movement. Kedar Babu lost his wife at an early stage of his marriage. Since then, he has brought up his only son Sangram with all paternal affection. In town, Sangram stays in the house of a landlord, Bahadur Suryakant Singh, where there is a gradual moral decline. This puts him in a state of dilemma and delusion. In the last encounter with his father. Sangram experiences a new perception of life, illuminated with anxiety.

When Bhagwan Shri Jagannath and his brother, Bhagwan Shri Balabhadra, refuse to partake offerings from a lower-caste woman, Shriya. Devi Maa Lakshmi is offended and puts a curse on both of them. The duo, hungry and homeless, go from village to village, house to house in search of food. What they don't realize is that Devi Maa, in collusion with Vayu Dev, Agni Dev, and Pawan Dev is determined to teach both of them a lesson they will never forget.

While looking for his lost dog, Babula finds a strange looking creature who is actually an alien from outer space. He brings the creature home and hides him in his room. Babula takes care of him and the two develop a loving bond. However, when his parents discover the alien, they try to kill him thinking it could harm their child. Babula is deeply upset by this reaction and tells his friend to escape the violence of his world and go back to his own planet. The film contrasts the suspicious nature of adults versus the trusting perspective of children, hinting that be it in this world or another, the most important emotion is compassion.

Subir is a professional singer with a soaring career. He does not plan to marry-until he meets Uma.

This film portrays the plight of the "Bajnias" or "Ganda" tribe of Odisha who are traditionally drummers by profession and the negative impact of cultural dominance by dominant class of people.

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