Tsao Chien

Justice Bao is a 236-episode television series from Taiwan, first airing on Chinese Television System from February 1993 to January 1994. The show stars Jin Chao-chun as the Chinese official Bao Zheng in the Song Dynasty. It was hugely popular in Greater China as well as many other countries in the Far East. The series was originally scheduled for just 15 episodes. However, the show garnered high ratings when the initial episodes aired. Due to its popularity, CTS expanded the show to 236 episodes. The TVB and ATV Home networks in Hong Kong both bought the series in an attempt to gain viewers. Competition between the two networks during the showing of the series was so severe that identical episodes were shown on both channels on the same night. It was also one of the first dramas that used NICAM technology.

Someone in a prison run by a corrupt warden fakes the deaths of convicts to later use them as expendable assassins. A police officer is sent into the prison to gather evidence of the corruption.

Yang Hui-zhen, a mysterious princess on the run from corrupt government officials, is joined in her endeavors by skilled Buddhist monks and an unambitious painter named Gu Sheng-zhai.

China, year 1457. The Minister of Defense is executed, and his children are sentenced to exile by order of the tyrannical Tsao. Fearful of future revenge from the young people, Tsao sends cruel soldiers to murder them, but a brave group of swordsmen can change the course of the battle at the Dragon Inn.

Leaving the poverty of his life in Shantung to seek fortune in Shanghai, The Boxer is instead drawn into a world of corruption, gang warfare and evil... Where his only protection is his famed fighting technique.

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A coolie is ofter a job a policeman after saving a government official, and through treachery and corruption rises through the ranks of the police, then becomes a gangster.

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

A Chinese doctor's assistant fights the morphine-dealing criminals who run a Japanese nightclub.

Hsi Shih: The Beauty of Beauties was one of the most ambitious films made in the Taiwan film industry in the 1960s. After leaving The Shaw Brothers studio in Hong Kong and moving to Taiwan, filmmaker Li Han-hsiang mounted this historical epic. Told through the story of Xishi (Hsi Shih), one of the 'Four Great Beauties' of Chinese history, the film portrays the war between two Chinese Kingdoms during the Warring States Period (475-221 B.C). After the kingdom of Yue is defeated by the kingdom of Wu, King Goujian of Yue takes pains to prepare for his revenge and rebuild his country. Knowing that King Fucha of Wu is lewd and lustful, he offers Xisi to the court of Wu to serve as Fucha’s concubine, with Fucha unaware that she is also a spy. She uses her charm to draw Fucha away from his office and governance, while King Goujian rallies his forces together to attempt to reclaim his lands.

The story follows a young man as he changes from an intelligently aware youth, to a teenager with much less confidence than he once had, and finally, to a stable adult.

Despite the national resistance, the Manchurians have taken over China, but the Ching Emperor fears that the Shaolin Temple disciples would overthrow the dynasty. So he disguises himself as a disciple, in order to become a kung fu master and control the Shaolin monks. But according to custom, he must pass the test of the legendary 18 Bronzemen before he can leave the Temple.

As China and Russia's governments are talking peace, traitorous agents on both sides seek war. Enter John Liu as a special agent sent to identify who the Russian traitor is, and who his contact is within the walls of the Forbidden City.

A young woman whose kung fu has reached the point where she can turn invisible runs afoul of a powerful family when she disrupts a wedding. She must fight off kung fu masters and even a poisonous centipede ring!

Park Mei Ji receives a phone call from a woman who says she and Mei Ji's husband, Inn Min, are living together in Taipei and raising a son. Mei Ji immediately leaves Seoul and flies to Taipei with a friend at the woman's request, discovering that the situation is much more complex and tragic than she initially thought.

Jointly and respectively directed by King Hu, Lee Hsing, and Pai Ching-Jui, three major Taiwan directors of the 1970s, this film consist of three shorts with the same cast of two actors and one actress, who through reincarnation meet in three different times.

Brigitte Lin's debut film. A young girl gets romantically involved with a teacher twice her age.

Lo Wen (Chin Han) is enamored of his college sweetheart Xiao Yu (Brigitte Lin), and the two wish to get married as soon as they possibly can. But Lo Wen's uncle and Xiao Yu's parents are opposed to an immediate union, both thinking that the couple is too young to properly make a life for themselves. Determined to prove the adults wrong, the young couple create their "House of Love", a cheap home the two plan to renovate into their dream residence. They plan to get part-time jobs and make their own way in the world, but the going is tougher than they imagined. Can two young lovers make it in the real world without the help or support of their families?

A master swordsman is on a twenty year quest to revenge the death of his parents.