Václav Neckář

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The show was meant to compete with those on West German television. To this end it was fairly successful even attracting a following in parts of West Germany which could receive Eastern TV. Its production values were high. Apart from song and dance numbers and appearances from East German celebrities, almost every broadcast featured well-known stars from the west, often after their popularity had peaked in their home countries.

Pan Tau always had a gentle expression and a friendly smile, he was elegantly dressed in a stroller, with an umbrella and a white carnation in the lapel. Foremost, he was famous for his magic bowler hat. By tapping on his hat, Pan Tau was able to change his appearance into a puppet, to conjure up miscellaneous objects or to do other magic. His most characteristically behavior is that he would help children who were experiencing some sort of difficulties in-between their dreams and reality, like finding a place for skiing, settling family problems on Christmas, and even give a boy a good time at a fair when he is supposed to have piano lessons. To adults, he usually remained invisible.

Three friends - Tomás, Hubert and Jozka - are boys growing up in a little town. Tomás lives with his aunt Apolena and uncle Václav. Tomás is a boy with lots of ideas that often end up getting him into trouble not only with his teachers and aunt, but with the other inhabitants of the town as well. He has a crush on his schoolmate Blanka and for her sake he decides to try to get the prize for the best pupil in the school.

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At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Oblivious to the war and the resistance that surrounds him, this young man embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot.

There are still water spirits among us. One group lives in Prague, led by Mr. Wassermann, who is using his wife's family as a servants. All they need is their old house near the river. But the house is to be demolished. They have to stop it. And the only way is to drown Dr. Mrácek, who is responsible for the demolition. But he falls in love with Wassermann's niece Jana. He changes to fish, is mistaken for water spirit from Germany, is drowned and revived again. The other problem is the flour with ears... and so on...

A musical starring Jiří Menzel (whose part is sung by Achilles Michailidis) as a math and physics teacher employing innovative teaching methods.

The former reputed lover and bon vivant Petr Vok from Rožmberk was widowed at the age of sixty-three. The loss of his much younger wife is hard to bear and it seems that nothing in his life will please him anymore. His loyal friends and servants do everything possible and impossible to cheer him up, but sometimes interesting situations arise, such as when they get him a guaranteed real mermaid. Will anyone be able to cure the master of his lethargy?

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Want to get to a space planet full of songs? Use the attractions of the magical TV carousel from 1978, which will take you up to the stars. You will hear, among others, Sleep, Son, I Have a Wish, Little Sprig, What a Pretty Cheek You Have, Lullaby of the White Elephant, March of the Cosmonauts, Mill Wheel, A Dozen Horses, Magic Grandfather, Tram Grandma, Dandelion and Let's Go Play.

A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers. He only fails at the swimming pool. Zuzana (Jana Sulcová), the good-looking blonde, ignores the men whom the devil foists off onto her. She loves Honza (Václav Neckár) and the boy shares her feelings. The fiend is annoyed by the couple and tries to provoke a row. He sends heavy rain to force them into a hotel and then warns Zuzana's father by phone, but the young lovers manage to get out in time. Then the obstinate Asmodeus takes Honza in his sleep to the Institute for Emotional Disorders, where he shows him the ugly sides of love - hysteria, voyeurism, fetishism, suicide attempts...

Black comedy about a genius inventor and two young, smart and beautiful women. Both of them putting all their effort into getting the one man. This will inevitable lead to all sorts of mischief, crime and even a murder. This murder-comedy, shot at the dawn of normalization has intentionally broke off from any connection to the reality of its time. The director Zdeněk Podskalský has focused on creating intriguing story lines, revolving around the two endeavouring female characters who are fighting for the same man. Two competing parties are not only ready to kill the other, but also (if necessary) the potential groom. This film has enabled the members of the cast, composed mainly of the brightest stars of the Czech acting scene of that time, to show an incredible acting range, from the lightest comedy to the darkest cynical morbidity.

Captain Záruba investigates after an anonymous tip flags the seemingly extravagant lifestyle of Chemotex technician Dagmar Králová. Summoned to discuss the matter, Králová’s quarrel with engineer Vaněček, who secretly runs a suburban bootleg alcohol factory, triggers panic among the illicit network led by hotelier Černý. When Králová is found dead near the site of a murdered hitchhiker, autopsy reveals a different killer, launching parallel murder investigations. Forensic teams uncover the clandestine distillery, and gradually piece together motives and perpetrators behind both deaths.

The film tells the story of the relationship between a mentally disabled uncle and his nephew, whom fate brings together at a certain moment, gradually forming a bond between them that is a demonstration of the strength and "power" of friendship. This is then put to the test by those who, for various reasons, try to separate them. Among other things, the film is a confrontation between the two main, innocent protagonists and those who lost their innocence long ago and are guided primarily by what can benefit them, often at any cost.