Production
Sussi, a beautiful young woman lives in Santiago with three other women. Each episode tells different situations and jobs that Sussi have, knowing in each of those different men with whom she has some kind of affair. Through these experiences, she learns about life and love. Based on Gonzalo Justiniano's movie Sussi.
The sexual misunderstandings caused by the real identity of a rich woman serve Hermosillo to satirize the moral and social hypocrisy of the provincial that every Mexican carries inside.
A Chilean returning to Santiago to find out what has happened to his native country while he has been away, discovers much about himself.
During the socialist government of Marmaduke Grove in 1932, a group of villagers decide to take some land in the area of Palmilla. Almost like a mythical journey, problems arise when seated and in a position to bring the socialist ideal in the population. Everything becomes more complicated with rumors that the reactionary forces have overthrown the socialist government. A movie that because of the coup was not released in Chile and was only terminated by Littin in exile in Mexico.
Action-adventure set in a world of the near-future, where young love is forbidden among the lower classes. Nevertheless, one couple defies their police-state world to fight and hold on to whatever love they can find.
The Lecumberri Penitentiary was one of the most notorious prisons in 20th-century Mexico, known for the notorious inmates who were held there and the appalling living conditions inside. This documentary records daily life in the prison shortly before its closure.
Mexican drama film directed by Miguel Littín. It is based on a short story of the same name by Gabriel García Marquez. It was entered into the 30th Berlin International Film Festival
After the 1973 coup that deposed Allende and brought Pinochet to power in Chile, the former members of his cabinet are imprisoned on Dawson Island, the world's southernmost concentration camp. Here these men are determined to survive and provide history with their testimony.
After 20 years of exile, Aron returns to Chile to find out who he is. He asks questions, not only of those who stayed behind but also of himself, examining his relationship with his past and his own memory. The people who stayed lived through 20 years of dictatorship. They were either victims or executioners. Amidst this wreckage, Aron wonders what name his brother is using now, where his father is... Can he, in Isol's arms and through her love, find his way again ? What future awaits him? Like Mola the torturer, he has returned from an impossible journey, and Aron knows that each man is his own executioner. Shipwreck and resurrection are the two facets of a complex truth.
Alsino, a boy of 10 or 12, lives with his grandmother in a remote area of Nicaragua. He's engulfed in the war between rebels and government troops when a US advisor orders the army to open a staging area by the boy's hamlet. Alsino tries to be a child, climbing trees with a girl, looking through his grandfather's trunk of mementos and trying to fly; he goes to town to sell a saddle, has his first drink and is taken to a brothel. But the war surrounds him. The US advisor takes Alsino on a chopper flight, but he's unimpressed. The soldiers' cruelties awake rebel sympathies in Alsino, and after an army assault backfires, the lad is fully baptized into the conflict.
Two men at cause of confusion and superstitions become involved in a duel that ends unexpectedly.
