Rabindranath Tagore

Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.

Two high school kids meet in class and fall madly in love with each other. Unfortunately, His father and her mother had a history of their own between them which creates uneasiness in both of them. Also because of that, the boy's mother is very jealous and tries to separate them. The only person that tries to help them is their teacher who has relationship problems of her own.

A tranquil vacation of four friends at a hillside village takes a sinister turn, when they unwittingly incur the wrath of an ancient deity, Devi Parnashavari.

Rumi, a CIB officer, loses his sight and his job in a near-fatal accident. He starts having nightmares of strange events, one of which shockingly translates to reality in a gruesome murder. Now, the blind detective must decipher his nightmares to unravel the mystery behind the violent crime!

A young woman is left to her own devices when her sickly husband dies. Based on the novel by Rabindranath Tagore.

A young director listens to a hilariously scary story narrated by a stranger, where a group of ghosts try to save the only place they can haunt in peace.

Three stories with three central female characters linking the stories together. The first one concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. The second one is a supernatural tale about a woman obsessed with the jewels her husband buys for her. The final one follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family.

In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.

A royal prince arrives on an island of fascist rule and inspires a rebellion among its women in this hallucinogenic adaptation of a classic play.

Shirshendu Mukhopadhyay's famous tale of 3 generations of women & their changing position in society,seen in relation to a box of jewels, handed down from one generation to the next. A film by Aparna Sen.

Ek Mutho Chabi is a Bengali feature-film released in September 2005. As the name suggests, the movie does not tell one continuous story over 90 minutes; rather it's a compilation of six different stories combined together, all of around 20–25 minutes duration. All directed by different directors. The movie is a kind of experiment with short stories after success of telefilm industry.Argyakamal Mitra’s Janmodin, Partha Sen’s Pakshiraj, Indranil Roychowdhury’s Tapan Babu, Prabhat Roy’s Ragun Babur Galpo, Anjan Dutt’s Tarpor Bhalobasha and Kaushik Ganguly’s ProgressReport make up the package of six.

A well-off family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.

Defying his father’s wishes by following his rebellious uncle’s example, a young Bengali from an upper caste tries to help those on the lower end of the spectrum and, while he’s at it, offers to marry his brother’s pregnant mistress.

In the early 1900s, Nikhilesh, a wealthy Westernized Hindu in colonial East Bengal, feels compelled to test the love of his wife, Bimala. He introduces her to his friend Sandip, a politician agitating against British rule, and Bimala is equally taken with both Sandip's anti-colonial fervor and the man himself. Personal and political tensions subsequently flare as the now assertive Bimala has to make a crucial decision.

Byomkesh, a detective, stumbles upon a case of robbery while recuperating from a prolonged illness. With the only object to be stolen being a group photograph, he attempts to solve the mystery.

While Jonaki, an 80-year-old woman, searches for love in a strange world of decaying memories, her lover, now old and grey, returns to a world she is leaving behind.

This film is based on five shot stories of Rabindranath Tagore's Jibito O Mrito, Sarat Chandra Chattopadhyay's Abhagir Swarga, Gour Kishore Ghosh's Aei Daha, Prafulla Roy's Satgharia and Dibyendu Palit's Kaanch.

Satyanweshi is a 2013 Bengali mystery-thriller film directed by Rituparno Ghosh and produced by Shrikant Mohta and Mahendra Soni. This was Ghosh's last full length film as a director. Indian film director Sujoy Ghosh portrayed the character Bymomkesh Bakshi in this film.

In August 1947, the British passed a bill regarding the partition of Bengal. Delving into the grim history of the Partition, Mukherjee's movie Rajkahini is woven around a border between the two nations that runs through a brothel housing 11 women.

Marital strife follows when an aging filmmaker meets an actress who bears an uncanny resemblance to his wife in her younger days.