Esther Robinson

Experience the iconic rock band's legacy in the first major documentary to tell their story. Directed with the era’s avant-garde spirit by Todd Haynes, this kaleidoscopic oral history combines exclusive interviews with dazzling archival footage.

After Junior is released from prison, he plans on starting a new life in Miami. But when he kills a man in the airport, he flees the scene and finds Susie, a mild-mannered prostitute searching for stability. The two opposites become romantically involved, and Junior steals a badge and gun from a veteran detective. Using the officer's identity, Junior embarks on a crime spree and convinces Susie that he is the perfect man.

Esther Robinson's portrait of her uncle Danny Williams, Warhol's onetime lover, collaborator and filmmaker in his own right, offers a exploration of the Factory era, an homage to Williams's talent, a journey of family discovery and a compelling inquiry into Williams's mysterious disappearance at age 27.

Every day dozens of decommissioned school buses leave the United States on a southward migration that carries them to Guatemala, where they are repaired, repainted, and resurrected as the brightly-colored camionetas that bring the vast majority of Guatemalans to work each day. Since 2006, nearly 1,000 camioneta drivers and fare-collectors have been murdered for either refusing or being unable to pay the extortion money demanded by local Guatemalan gangs. LA CAMIONETA follows one such bus on its transformative journey: a journey between North and South, between life and death, and through an unfolding collection of moments, people, and places that serve to quietly remind us of the interconnected worlds in which we live.

Twenty five years after Miguel died from AIDS, his niece, filmmaker Cecilia Aldarondo, embarks on an excavation into a quagmire of unresolved family drama. Like many gay men in the 1980s, Miguel moved from Puerto Rico to New York City; he found a career in theater and a rewarding relationship. Yet, on his deathbed he grappled to reconcile his homosexuality with his Catholic upbringing. Now, decades after his death, Cecilia locates Miguel’s lover Robert, who has been shunned and demonized by the family, in order to understand the whole story.