Acting
At the height of the October Revolution during the 1919 allied intervention in Arkhangelsk, the exploits of one-legged Canadian soldier Lt. John Boles are told, after he is taken in from the cold by a dysfunctional Russian family and mistakes a local woman for his presumed dead lover.
On the run from a U.S. Senate investigation, New York mob boss Don Luciano flees to his Canadian hometown and old flame Dolores in this kooky, disorganized crime caper. Luciano soon discovers his long-lost son and tries to teach him the tricks of the trade. Meanwhile, Luciano's bumbling right-hand man -- who'd like to become the boss himself -- has put a contract on Luciano.
A young director intent on making "the greatest color crime movie ever" can't seem to finish his script--he has a beginning and an end, but he can't quite figure out the middle. The daughter of his landlord, excited to have a real "movie person" living nearby, tries to help by putting him in touch with a man who wants to collaborate on a script--the strange "Dr. Jolly"
Springtime in Greenland uses '50s cinematic conventions and attitudes to tell a story about the sophomoric inhabitants of a fictional utopia.
The further adventure of Nick, Paizs' silent hero sets off to college where he meets Brock West (Winnipeg journalist and rocker Peter Jordon, aka Rocky Roletti). Unwittingly, Nick becomes involved in attempts to restore old campus hangout and the dirty political tricks swirling a hard fought student election. The film successfully weaves the tone of 40s college hijinx movies through the clever spoof of current electoral trends, suggesting how easily old fashioned ethics can turn into fashion.
