Luisa Gavasa

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La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

In 1950s Spain, the heir to a fashion house romances a beautiful seamstress who works for the company, despite the objections of his family.

David Broncano, along with Jorge Ponce, Ricardo Castella and his other collaborators, lead La Revuelta, a comedy show that includes multiple sections and interviews from the Teatro Príncipe Gran Vía in Madrid.

A soldier from the 15th century, a university student from the 19th century and a nurse from the present join the secret 'Department of Time', a secret department within the Spanish government with the ability to travel through time. Their mission is prevent changes in history.

In 1920s Madrid, four women at the National Telephone Company ring in revolution as they deal with romance, envy and the modern workplace.

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A diverse group of tourists on an organized trip to Lisbon find themselves investigating a murder after one of them is killed on the first morning.

A group of six police officers solve disappearance cases that everyone else has already given up on.

A major traffic jam throws thousands of citizens on the outskirts of Madrid into chaos, disrupting their plans. This everyday situation will be the starting point for unexpected, comical, and emotional plots.

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Dr. Wilfred Manz performs a magical experiment on a beetle-shaped amulet. His patience exhausted, he smashes his fist into some bottles and a few drops of blood fall onto the scarab. His laboratory is rocked by an explosion, the god Khepera appears and Manz is transformed into a demi-god magician. Thirty years later, Manz has assumed the name Khepera and lives in mysterious castle. Using his magical powers, he is killing heads of government and causing the collapse of major financial institutions. Jack Murphy, an American correspondent, witnesses the pandemonium following the suicide of the Spanish prime minister and notices an attractive nurse, Elena, take a small scarab which has fallen from the prime minister's lapel. Later, he visits an occult shop where the scarab is identified as being associated with the Egyptian god, Khepera. Murphy is captured and Elena — who was tricked into sacrificing her brother when they were children — once more takes up the sacrificial dagger...

After the Apocalypse doesn't happen, Tomas tries to recover his past life, with little success, while Julia sees in the Non-End of the World a second chance to change her life. Their paths, opposites, will have to converge in the only thing that unites them right now: their daughter Noa.

Four desperately bored retired men yearn for some excitement in their lives to make them feel alive. Whilst trying to occupy his mind by writing a terrible book, Telmo is reunited with his two best friends from school. Mornreal, who is just out of prison, can’t bare to see his old friends fading away so he comes up with a plan to break the daily boredom and to inject excitement into his friends’ lives. With nothing to lose, the old friends embark on a mad, wild adventure that results in a bizarre robbery of a museum.

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.

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Pepe Rey, Doña Perfecta's nephew, arrives in Orbajosa, a quiet and provincial city, with the task of building a reservoir. However, the presence of Pepe, a man of liberal ideas to whom unfounded revolutionary and even anticlerical intentions are attributed, is not well received in the town. So each of its inhabitants will have a reason not only to hate Pepe, but to want him to get out of there as soon as possible

Marc and Rebeca, a young couple, travel to an old country house that used to belong to their family. Once there, they write the shared history of their roots, creating a huge family tree that harbours relationships of love, heartbreak, sex, madness, jealousy and infidelity, and under which also lies a history laden with secrets.

Based on the famous play "Bodas de sangre" (Blood Wedding) by Federico García Lorca, La novia tells the story of a passionate love triangle. A bride leaves her groom, no longer able to withstand the surging desires of her lover, Leonordo.