
Agustín Toscano
Directing
Biography
Agustín Toscano (born in 1981; San Miguel de Tucumán)is an Argentinian actor, screenwriter and director of theatre and film. He studied in the National University of Tucumán, in the Theatre Career, and in the School of Cinema, Video and Television of the University of Tucumán.
Known For

In the conservative northwestern region of Argentina, Julieta finds herself accused of infanticide after a medical emergency. With support from her attorney and women's rights advocates, she fights for justice in a landmark case that could change lives.
Belén

Morán works as a clerk in a bank in Buenos Aires. He is as good as invisible to his colleagues. Over dinner with his colleague Román, Morán tells him that he stole exactly $650,000, which is exactly double what he would have made until his retirement. He plans to turn himself in, but not before offering Román to split the money if agrees to hide it for the duration of his incarceration.
The Delinquents

La Patagonia, southern Argentina. After his mother's death, Nahuel, a violent teenager, meets his biological father, Ernesto, a skillful hunting guide; but their reunion is harsh, since their souls are only ruled by pride and resentment.
Hunting Season

A father and his two daughters are sailing in a lake when they encounter a pair of shipwrecked men. They say to be looking for someone they lost and ask for help to find him. This begins a tense search in which the father suspects he is held hostage.
Immersion

Eva isn't having the best time: her boyfriend dumped her overnight, for no apparent reason, and she's forced to move back in with her parents. She decides to have her first child, but she has no one to be with, and what begins as a worry turns into an obsession.
El padre de mis hijos

Set in the extinct world of artisan mining in North Chile, this neo western centers the struggles and empowerment of a young woman, fighting to keep the family business against patriarchal structures and the law of the jungle.
Bitter Gold

Simon is 21 years old. He introduces himself as a mover's helper. He claims not to know how to cook or clean the bathroom, but he does know how to make a bed. Recently, he seems to have become a different person…
Simon of the Mountain

Sergio and his family work in an estate in Argentina’s northern region. When their employers aren't home, they occupy the main house and emulate the life of the owners. Then Pia, the eldest daughter of the owner, arrives at the estate with the intention of staying a few days until her father’s marriage...
The Owners

Perhaps what has already been lived is more important than what’s yet to be lived, Antonio thinks as he burns his father's belongings. Ships and Cathedrals tells of his encounter with Emilia and how he manages to break out of the inertia of his life.
Ships and Cathedrals

In the Argentinian city of Tucumán, Miguel is making a living as a “motochorro”, a thief who snatches people’s belongings fromhis motorbike. When he steals the purse of Elena, an old woman, he ends up hurting her badly. After the brutal incident, Miguel is plagued by guilt and unable to forget about his victim. In an attempt to make things right, he conceals his true identity from the old woman and starts to take care of the injured and unsuspecting Elena. The closer he gets to her the more he becomes entangled in his own lies. Afraid of telling Elena the truth, Miguel continues to be haunted by his past and is unable to find true redemption.
The Snatch Thief

In a remote valley in northern Argentina, the local herb of love, Muña Muña, is in bloom. Olga, a 60-year-old nurse, is preparing to say goodbye to her only son, who is about to leave the country, when she meets Stefano, a young French tourist. Their unexpected connection stirs a desire she thought was long lost.
Blooming
Biopic? by Miguel Abuelo written by Fabian Casas, Agustín Toscano, and Lorenzo Ferro, who also stars in and directs the film
Himno de mi corazón

A biographical film about the Tucumán pianist Miguel Ángel Estrella, which focuses on his imprisonment in a Uruguayan prison during the last military dictatorship.
El piano mudo

Since 2006, Susana and Nélida, protagonists of this story, are imprisoned in the Tucumán Women Prison. They are accused of a crime they say they haven’t committed. They were sentenced to 20 years in prison for being responsible for the disappearance of a teacher friend of theirs, Beatriz Argañaraz, whose body never appeared. Susana and Nélida pray every day for the body to appear and the mystery to be solved. Meanwhile, their lives changed emphatically during the last 16 years behind bars.