Leonor Martín

It tells the stories of a group of teachers and students from a central fictional school in Madrid. Under the gaze of some new teachers, newcomers to the center, we will know the passions, interests, aspirations and dreams of a group of rebellious teenagers who are in their last years of high school.

The mini-project starts with a solemn event that unites the hearts of two characters already familiar to the audience of the original. The main characters are happy, but besides them, at that time, the story unfolded in the lives of other characters, each of whom went through adolescence in his own way and faced unexpected difficulties along the way.

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Fernando (Fernando Tejero) is a loser. A gray type, without ambition, that works like bookcases distributor in a supermarket of the quarter. In his free short whiles, he is a substitute keeper of a football team, a third regional one. In all the season he has not played a single minute. But the last Sunday of the league the referee indicates penalty and the regular keeper injures itself. Fernando must occupy the goal for the first time. If penalty scores, the team of the district will proclaim champion. If no, all the effort of a year will not have been worth for anything. When the penalty is just about to be kicked, a group of indignant fans with the referee invades the field and prevents the kick. The competition committee decides that the penalty must play the following Sunday, in the same goal, with same players and the field closed to the public. El Penalti más largo del mundo, (The Longest Penalty Shot in the World) is exactly the history of that week of delay.

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After an agnostic education, a life of excess and a legacy of hatred, lies a young names Marcos, indifferent to life after facing death, everything will change. Someone takes his place before the law and pay for his guilt.

Unaware of the zombie mayhem unleashed outside their tent, Pablo has a massive hangover and Ruth keeps a secret.

It is 2030. Due to the enormous water scarcity, water parks in Spain and Portugal have been dried up. In her swimsuit, director Leonor Martín wanders through the water parks of her youth. In End of Season she muses about the beautiful memories she has from a time when water still flowed freely. What are we giving up in the name of progress?