Henry Jaglom
Directing
Biography
From Wikipedia, the free encyclopedia. Henry Jaglom is a London-born American film director and playwright. Jaglom was born to a Jewish family in London, England, the son of Marie (née Stadthagen) and Simon M. Jaglom, who worked in the import-export business. His father was from a wealthy family from Russia and his mother was from Germany. They left for England because of the Nazi regime. Through his mother, he is a descendant of philosopher Moses Mendelssohn. Jaglom trained with Lee Strasberg at the Actors Studio in New York, where he acted, wrote and directed off-Broadway theater and cabaret before settling in Hollywood in the late 1960s. Under contract to Columbia Pictures, Jaglom featured in such TV series as Gidget and The Flying Nun and acted in a number of films which included Boris Sagal's The Thousand Plane Raid (1969), Jack Nicholson's Drive, He Said (1971), Dennis Hopper's The Last Movie (1971), Orson Welles' never-completed The Other Side of the Wind and more. Jaglom's transition from acting in films to creating them was largely influenced by his experience watching the Italian film 8½ (1963). “The film changed my identity. I realized that what I wanted to do was make films. Not only that, but I realized what I wanted to make films about: my own life, to some extent.” Jaglom began his filmmaking career working with Nicholson on the editing of Hopper's Easy Rider (1969), and made his writing/directing debut with A Safe Place (1971), starring Tuesday Weld, Nicholson and Welles. His next film, Tracks (1976), starred Hopper and was one of the earliest movies to explore the psychological cost on America of the Vietnam War. His third film, the first to be a commercial success, was Sitting Ducks (1980), a comic romp. Jaglom co-starred in four of his most personal films—Always, But Not Forever (1985), Someone to Love (1987) starring Orson Welles in his farewell film performance, New Year's Day (1989), which introduced David Duchovny, and Venice/Venice (1992) opposite French star Nelly Alard. In 1983, Jaglom taped lunch conversations with Orson Welles at Los Angeles's Ma Maison. Edited transcripts of these sessions appear in Peter Biskind's book My Lunches With Orson: Conversations Between Henry Jaglom and Orson Welles (2013). As a playwright, has written four plays that have been successfully performed on Los Angeles stages: The Waiting Room (1974), A Safe Place (2003), Always—But Not Forever (2007) and Just 45 Minutes from Broadway (2009/2010). Jaglom is the subject of the Henry Alex Rubin's and Jeremy Workman's documentary Who Is Henry Jaglom? (1997). Description above from the Wikipedia article Henry Jaglom, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known For
The chronicle of the mind-blowing journey that was Hollywood during the seventies; the true and gripping story of the last golden age of American cinema, an exalted celebration of creativity and experimentation; but also of sex, drugs and rock 'n' roll: a turbulent and dark tale of ambition, envy, betrayal, hatred and self-destruction.
Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved Hollywood
A group of women gather for the birthday party of a friend and discuss their lives and associations with food.
Eating
Hailed by some as a cinematic genius, a feminist voice and a true maverick of American cinema, dismissed by others as a voyeuristic fraud and the "world's worst director," Henry Jaglom obsessively confuses and abuses the line between life and art. Featuring scores of interviews (including Orson Welles, Dennis Hopper, Milos Forman and Peter Bogdanovich) and rare behind-the-scenes footage, this hilarious documentary explores the fascinating question of Who Is Henry Jaglom?
Who Is Henry Jaglom?
A soldier returns from Vietnam on special assignment, accompanying the body of his friend by train to California for burial. During the trip, he falls in love with a gentle college student. But their relationship is shattered by his flashbacks to combat.
Tracks
Maggie Chase, now a passionate theater actress, must follow her mind or heart when she falls for a slick television star.
Ovation
Ekchart Schmidt examines the machinery behind the dream factory; the Hollywood myth is unmasked. How does the studio industry work? What role does marketing and the hype surrounding the stars play?
Mythos Hollywood - Das Geheimnis des Erfolgs
As his life comes to its end, famous Hollywood director Orson Welles puts it all on the line at the chance for renewed success with the film The Other Side of the Wind.
They'll Love Me When I'm Dead
A parody of film genres composed of three shorts, spoofing personal growth films, glossy soap operas, and police stories.
National Lampoon's Movie Madness
The extraordinary life of Orson Welles (1915-85), an enigma of Hollywood, an irreducible independent creator: a musical prodigy, an excellent painter, a master of theater and radio, a modern Shakespeare, a magician who was always searching for a new trick to surprise his audience, a romantic and legendary figure who lived only for cinema.
Magician: The Astonishing Life and Work of Orson Welles
At a media-swamped party to celebrate his seventieth birthday and screen his avant-garde film-in-progress, a legendary but jaded Hollywood director is faced both with voracious fans and unsettling questions about what became of his lead actor.
The Other Side of the Wind
In 1943, Colonel Greg Brandon, stationed at an United States Army Air Forces 8th Air Force, 103rd Bomb Group base in England, repeatedly attempts to persuade superiors that massive daylight bombing will hasten the end of World War II. In spite of the mission's extreme difficulty, his plan is finally put into effect against a German aircraft factory. During preparation for the raid, Brandon alienates his men by insisting that normal bombing operations continue. His disdain for cautious Lieutenant Archer and brash RAF Wing Commander Trafton Howard further antagonizes his associates, including his girl friend, WAC Lieutenant Gabrielle Ames. When his bomber crashes the morning of the mission, Brandon boards a bomber manned by Archer and Howard. During the effective air raid, he is impressed by Archer's courage and Howard's judgment.
The Thousand Plane Raid
The unfinished documentary about the making of Dennis Hopper's mostly unseen feature film The Last Movie (1971).
Scene Missing
A Hollywood film director assembles a group of friends and strangers for a social gathering on Valentines Day in a deserted movie theater where he interviews each one on their opinions on love and loneliness.
Someone to Love
After a film production wraps in Peru, an American wrangler decides to stay behind, witnessing how filmmaking affects the locals.
The Last Movie
Dean Martin had a laid-back charm that made him successful in everything from big-screen comedies to television variety shows to live acts in Las Vegas. Filmmaker Tom Donahue explores Martin’s varied career, including his complicated relationships with Jerry Lewis, Frank Sinatra, Sammy Davis Jr, and others. We hear from admirers such as critic Gerald Early, actor Jon Hamm, and Hip-Hop artist RZA who testify to Martin’s enduring mystique.
Dean Martin: King of Cool
Jenny, a deaf runaway who has just arrived in San Francisco's Haight-Ashbury district to find her long-lost brother, a mysterious bearded sculptor known around town as The Seeker. She falls in with a psychedelic band, Mumblin' Jim, whose members include Stoney, Ben, and Elwood. They hide her from the fuzz in their crash pad, a Victorian house crowded with love beads and necking couples. Mumblin' Jim's truth-seeking friend Dave considers the band's pursuit of success "playing games," but he agrees to help Jennie anyway.
Psych-Out
The tale of a young girl fresh off the bus from Iowa, who falls in love with a sexy and promising young actor, though their relationship threatens to complicate her own obsessive goal of becoming a famous actress. The film perfectly captures the delightful and desperate lives of those chasing dreams in Hollywood: One day they are shuffling down a boardwalk with too many suitcases, and the next they are lounging in contemporary hillside homes with a view of the city. Though neither state is permanent the more desirable one fuels the dream. The story's extraordinary execution portrays Hollywood as the fantastic and insane place that it is. Written by Lane Kneedler, American Film Institute Magazine
Hollywood Dreams
Gena is an average woman who is torn between her current boyfriend's desire to marry her and start a family, and the unexpected arrival of an old boyfriend wanting to pick up where they left off. To further complicate matters, she might be pregnant herself. In the mist of this unsettled personal life, Gena leaves her two men to attend a baby shower party for a girl friend and talks with the various female attendees all of whom are facing their own ticking biological clocks.
Babyfever
Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. Is Kaz for real? Can Rick sweet-talk Alice and sabotage Kaz to keep Millie from taking that deal? Millie consults with Victor, her ex, about which picture to make, Rick needs money, an ingenue named Blue is discovered, Kaz hits on Victor's new love, and Rick's factotum connects with Blue. Knives go in various backs. Wheels spin. Which deals - and pairings - will be consummated?
Festival in Cannes
A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.