Virgil Vernier

In 1930s France, two sisters who are thought to be able to communicate with ghosts meet a visionary producer while performing in Paris.

Paris, France. Fred and his colleagues, members of the BPM, the Police Child Protection Unit, dedicated to pursuing all sorts of offenses committed against the weakest, must endure the scrutiny of Melissa, a photographer commissioned to graphically document the daily routine of the team.

Nora is a bright young professional whose new job at a financial firm turns out to be a trial by fire when she learns that her bosses share a tumultuous history with her prickly mathematician father. Meanwhile, an interoffice romance with a competitive colleague leads to even more complications, leaving Nora to navigate a minefield of delicate relationships as she climbs the corporate ladder.

Axèle is a photographer, Camille is a writer. They have been awarded an arts residency at the Villa Medicis in Rome. Camille is accompanied by her husband, the famous writer Marc Landré. When a strange rivalry takes shape between them, Camille bonds with Axèle. But who is Axèle really ? A total artist, who never compromises and confuses herself with her oeuvre ? Or a ghost ? This year at the Villa Medici, where bodies and souls free themselves, no one will come out unscathed.

May 6, 2012. Cable news reporter Laetitia is covering the French presidential elections, while Vincent, her ex-husband, demands to see their two young daughters. It's a manic Sunday in Paris: two agitated girls, a frazzled babysitter, a needy new boyfriend, a grumpy lawyer and France cut in half!

The overexcited night of a young pinched painter and a crazy comedienne. In the impossibility to end up alone, Laetitia and Thomas cross every situation between drama and lightness, until a violent event marks their meeting of a strange complicity.

The story unfolds in Monaco, which is paradise on earth for a post-reality-TV generation who have grown up fantasising over a privileged lifestyle, with its promises of infinite pleasures. But what hides within these lofty towers, and behind the tinted saloon car windows and villa gates?

This story takes place in a far distant time, a time of violence. All throughout Europe, a war was spreading. In a city there lived two sisters...

Back on the parisian riots of march 2006. By crossing the points of view between the individual, the crowd, the mass, this film tries to draw from the TV coverage some more nuanced, more troubled perception. "Milling around" projects us in the center of the action by keeping us strangly remote at the same time.

A young woman invents the love she does not get and she needs. She has always done that, since childhood. It has become a disease. When Nicolas leaves her she refuses to believe it. He will love her anyway, it is needed, she needs it.

The journey of young Jeanne through mountains and faith, from the lonely forests to the plains of Rome.

A silent, musical and sexy movie. A theme: the loving parade. Characters who make tours (of magic, sometimes). In each the reverse angle, the other, in each or almost their song, as a fiction (a decoration) surrounds their character.

Tired of being a banal architectural ornamental, a sculpture runs from the Louvre to confront real life on the streets of Paris.

Iulia lives alone in Monaco since her father left, who returned to Russia due to sanctions against their country. She no longer attends school. She feels increasingly lonely and threatened.

Sophia Antipolis: a technopole on the French Riviera, a place where dreams should come true. But fear and despair lurk beneath the surface. Under a deceitful sun, five lives map out the haunting story of a young woman: Sophia.

As every year, Vicky goes to mass to the memory of Louis XVI. This time, he is accompanied by Ingrid. He has thirty years more than her, but Ingrid seems under the charm of this character. Revolutionary, rocker, prophet of the apocalypse of the West, he claims the return of the values of the chivalry. For Vicky, a princess as Ingrid must be courted according to the rules of the courtly love, but the third millennium leaves little room for the dreams of a knight.

Lila, Nico, Yoni, Justine and Guy are all around 25. We follow them through marking moments of their lives, slowly becoming of age.

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A house in the French countryside as a miniature of society: When Audrey arrives, she is confronted with a lecture right away. The landlord tirelessly underlines how progressive he is, and what a unique space he has created outside the urban centres. While his utopia doesn’t seem to leave much space for others, he is surrounded by three other volunteers who work for him. The house isn’t very large so all of them find themselves unable to avoid each other. Starring the remarkable independent filmmaker Virgil Vernier in a blissfully awkward performance, Brieuc Schieb navigates humour, irritation, and intimacy in his meticulously composed first feature – all to face a question not just today’s art world is obsessed with: Who can really bear living in a collective?

A shopping center in the middle of montains, pyramides of goods, a glass tower dedicated to bodycare, Andorra makes bright promises of modern happiness. But when night comes, streets fall again into silence and Andorra shines again only for itself.