Émilie Deleuze

French adaptations of the stories by Agatha Christie.

Tous les garçons et les filles de leur âge... is a French anthology tv series. Filmmakers were given the opportunity to portray an episode about the coming of age of young people during one of the past few decades, accompanied by music of that period.

What causes a man who has everything to jeopardize his comfort, career and relationship? A passion, as burning as it is fresh, for five acres of land in the Limoges region. But land has to be earned, especially when one comes from the city. And so Franck embarks on a quest for his own Holy Grail. He needs a tractor.

An all-access tour behind the scenes at France’s premiere film school, La Fémis. Showing us how successful candidates get to follow in the footsteps of such luminaries as Louis Malle, François Ozon and Alain Resnais, all of whom attended this prestigious institution. Stumbling over their words, the often-nervous candidates seem vulnerable when confronted with the veterans of the industry, who have the difficult task of discovering true talent among all these eager young people.

Alma, alone in her big townhouse, and Mina, a single mother from a housing project in another city, have organized their lives around the prison visits they make to their respective partners. When the two women meet in the room outside the visiting area, an unlikely friendship begins...

They’re all nuts. Her parents, who want to send her off to boarding school. Her new teacher, who expects her to read impossibly old books. Her fellow band members, who make her sing ridiculous lyrics and dress her up in a frilly white dress for their first show. Everyone seems to know what she should do and how she should act. And it’s not like 13-year-old Aurore has any fundamental problem with changing herself either. Who would want to be like this: unhappy, ugly and emotionally withdrawn? But the others don’t seem all that much happier to her either. She definitely doesn’t ever want to be as old, rundown and lonely as her mother. And so she prefers to stay the way she is, to observe and make her biting comments on whatever comes her way.

On the spur of the moment, 30-year old Alain gives up his well-paid job as a tester of computer games, but is uncertain over what do next. He takes up the offer of a place on a course to learn how to operate a bulldozer, although this means spending time away from home. During his training, he is paired up with a child-like younger man, Manu, who is passionate about wanting to drive a bulldozer but has no aptitude for the job. While his marriage starts to fall apart, Alain finds himself becoming more dependent on his relationship with Manu.

In order not to be thrown from his big Parisian apartment by his sister, the idiosyncratic pensioner Joseph takes the 20-year-old farmer's daughter Marilyn with him. She wants to complete an apprenticeship as a make-up artist in the capital, preferably for horror films. An unequal pair, which soon finds attraction as well as rejection.

Images of the Port Dauphine subway terminus are accompanied by a text read aloud about masturbation (branler is slang for jacking off) in this short subject.

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Lucas is a young scientist obsessed with the analysis of movement: that of the horses he studies in his laboratory, that of the clappers he practices as an amateur. His professional and sentimental life seems like a stalemate when his brother Luigi, a passionate horse breeder and little crook,who is accidentally killed by a stallion, Mister V. He knows that the animal is the subject of an insurance scam and must be shot against the will of his brother, who had seen in him a future champion. He then decides to take care of the farm and his sister-in-law, for whom he has always had an attraction. Tugged between his feelings, Luigi's memory and the pressures of the former crook partner, he will draw strength and power from the murderous stallion whose savagery fascinates him.

Twelve short stories about racism in every day life.