Franz Arnold

Manager Hellman has an extramarital child he pays for maintenance. Soon he discovers that there are more people than he who pays for the unknown son.

Pediatrician Waldemar Weber is at his wits' end. Of all days, his adopted son Egon—from his first marriage, whom Waldemar has always kept a secret from his young wife Henny—has announced he’s coming to visit on their first wedding anniversary. Waldemar must stop Egon at all costs. When Egon finally shows up at the door, he turns out to be a monkey trainer.

1927. The place is Kalmar and the Grossman family home. A hungover manufacturer Julius Grossman and his wife Solveig are waiting at home for their daughter Betty to arrive by train from the capital. To their great surprise, she arrives in a car with her suitor Greger in tow. What's more, she seems to be full of contemporary trends and modern ideas about marriage, among other things. Her father Julius would rather see her marry his business partner Hilding and thus retain control of the company. Hilding is a dull, somewhat dreary, and slightly overage bachelor who suddenly becomes every woman's dream prince when a rumor begins to circulate that he had a relationship with the famous movie star Rita Ray in his youth.

An industrialist has decided to marry his daughter with his partner and, for that reason, will try to help him in whatever way he can.

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This early Gainsborough film is truly a lost treasure and easily one of the most daring and risque films ever made. At least half a dozen different tales seem to be going on at once all finally meeting in the end. The story starts in the Lido hotel where our "Pickles" remarks upon the fact that everyone in the register is called Smith. Hes trying to chat up Mimi so shell split up with her boyfriend as her boyfriends uncle has other plans for his nephew - alas what no one knows is that he and Mimi have already been married for a few months on the sly!

Portrait photographer Lu Tiemann owns a white wire-haired terrier named "Stork." For Lu, the charming dog has a very specific purpose: to either jump into parked cars with men at the wheel, thereby attracting their attention, or to hide inside the car and emerge while it's moving – with the same result. When the driver then wants to get a closer look at the "crazy" dog, the following inscription can be read on his collar: "My name is Stork, owned by Lu Tiemann, Regentenstrasse 17." Many well-to-do gentlemen fall for this approach, such as a portly consul or a factory owner and privy councillor, next to whom "Stork" brazenly positions himself on the passenger seat.

When Julius Seipold's wife Regine becomes suspicious that he is having an affair after discovering incriminating evidence, Julius manages to convince her that it is his innocuous assistant Max who is having a relationship.

When Waldemar Palm married an old woman as a young man to give her estranged son a surname he didn't expect his good deed to come back to haunt him. When his in-laws from his second marriage show up on the same day that his adult step-son turns up unannounced he finds himself getting more and more wrapped up in his lies.

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Because she has fallen in love with an unknown man, young princess Antoinette has fled to Berlin before her planned marriage with a prince. Incognito, she works for the fashion house Pappenheim, where salesman Egon Fürst falls for the young girl. Antoinette′s rigid uncle is sent to bring the royal runaway home, but he mistakes another mannequin for his niece, therefore taking the wrong girl to his castle in Baden-Baden. The whole Pappenheim company, including the princess, also goes to Baden-Baden for a fashion show, which means even more excitement and confusion.

Finnicky efficiency expert is sent to straighten out business management problems at a jazz club, and finds self being drawn into the swingin' scene.

A feather-light comedy from 1920's Mölle with Nils Poppe and the Gaubier ballet. The play is about a grey aged bachelor who suddenly becomes every woman's dream prince when a rumor starts to circulate that he used to have a relationship with a famous movie star.

Play performed at Fredriksdalsteatern in 1999, based on Hurra, ein Junge by Arnold and Bach. It was originally performed in Swedish with Nils Poppe, but when Eva Rydberg took over, a new production was created.

Chester Binney, a wounded war veteran, erroneously believes he is carrying a silver plate in his head and must avoid all excitement. He returns to his hometown, and there his former employer, George Simmons, attempts to arrange a match between Chester (who is to inherit a fortune) and his daughter Ethel. Ethel, however, finds Chester unexciting as a lover; and to enliven the affair, the father invents a lurid past for the boy by displaying a signed photograph of Rita Renault, a famous movie star. Rita, accompanied by her jealous husband, Jack Shields, arrives in the town for a personal appearance. By chance, Jack discovers the photograph of Rita, presumably the property of Chester, and when he sees his wife kissing Chester, a running fight ensues.

The village mayor is a bigoted man: when he sees a girl from the variety show, the morality no longer applies to him.

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An elderly wholesaler will marry a girl, young enough to be his daughter, who is under the impression that he rescued her from drowning. Obviously, things get complicated when both the girl's former boyfriend and the actual rescuer show up

Emma Klink is devoted to preserve morality in 1912 and she is also a chairwoman for "The support for unmarried mothers". Her husband is a mustard manufacturer who has had a secret affair with a Spanish dancer twenty-five years earlier. His mistake is that he confides in a semi-senile vicar, and when a strange young man suddenly appears shouting "Daddy!" chaos enters the once peaceful house.

Documentary about the phenomenon of fascism. Filmmaker Emerson Vermaat views secularization as a major cause of the rise of fascist systems. National Socialism, Communism, racism, and the influence of the church are discussed. In the Netherlands, politician Hans Janmaat (between 1982 and 1998) represents the racist aspect of fascism, while in America, it is the Ku Klux Klan. Featuring numerous interviews and archival material.