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Bertha Gaztelumendi

Directing

Known For

Ez, eskerrik asko! Gladys' Window
N/A

At the beginning of the 80s, the antinuclear movement was in full expansion internationally and also in the Basque Country. In addition to the three plants that were about to be built on the coast (Lemoiz, Ea-Ispaster and Deba), a fourth was planned to be built in Arguedas. To protest against this, mobilizations were organized in Tudela. Gladys del Estal Ferreño traveled to Tudela, but did not return. In that peaceful demonstration, she was killed by the gunshot of a Civil Guard. This documentary, following the Gladys incident, tries to make a portrait of a social movement that attracted the majority of Basque society at that time.

Ez, eskerrik asko! Gladys' Window

2019
No image
N/A

The documentary brings together the voices of women who opt decisively for peace in Euskadi. They are all different. Together they form a powerful contribution to start down that path pointing to a violence-free Euskadi and cross it would be ineffective without their participation. The core of the narrative is composed of search experiences of peace and justice. Face the pain and consequences of such violence while fighting the root causes.

Mariposas En El Hierro

2012
A Deep Breath, Women Filmmakers
N/A

At last we are starting to hear the voice of women in the cinema. We celebrate it with this documentary on the Basque women moviemakers of yesterday and today, giving a global overview of the subject. Three female divers guide us through the topic of their films, their points of view, their dreams, their efforts to get somewhere, their contribution to the cinema and to society.

A Deep Breath, Women Filmmakers

2023
Las buenas compañías
6.0

No description available.

Las buenas compañías

2020
Volar
N/A

Nine women, with a past of gender violence, spend a weekend together in the countryside, far from their everyday lives. Despite being women of different ages and professions, they understand one another with no need for words. They are united by the courage of having faced the hell of that violence, of having survived and also of having tried to give meaning to their suffering. And they convey their experience to other women and to society, without indulging in self-victimisation.

Volar

2017