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Márcia Rodrigues

Márcia Rodrigues

Acting

Biography

Born Márcia Lessin Rodrigues.

Known For

Corpo Santo
8.5

No description available.

Corpo Santo

1987
The Return Of The Rockefeller
9.0

The big shot Albert returns after three years, reuniting with his family — his parents and his sister. And he gets in touch with some acquaintances, such as his old friend Vitório and a decadent high society woman. And once again Albert, the Rockefeller gets involved with millionaires and opportunists.

The Return Of The Rockefeller

1973
Sol de Verão
7.0

Rachel decides to turn her life around and finds happiness in Heitor's arms. Fate brings Abel and Clara together. A real-life tragedy changes everyone's lives.

Sol de Verão

1982
Bandeira 2
N/A

No description available.

Bandeira 2

1971
O Pulo do Gato
7.7

No description available.

O Pulo do Gato

1978
O Bofe
9.0

No description available.

O Bofe

1972
Wildcat
7.0

Cláudia returns to her rural hometown in order to take revenge for the murder of her family a long time ago. She believes that the Flores family committed the crime and tries to destroy them....

Wildcat

1988
Brilhante
7.5

No description available.

Brilhante

1981
Viver a Vida
6.7

No description available.

Viver a Vida

1984
Lady on the Bus
5.4

Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.

Lady on the Bus

1978
The Girl from Ipanema
6.3

Chronicles the life of a 17 year-old girl living in the upper-class Rio de Janeiro neighbourhood of Ipanema. Márcia lives a life of parties and spend her days among bohemians, musicians and intellectuals. While seeming happy in the outside, she's extremely anguished inside. Based on the famous song by Antonio Carlos Jobim and Vinicius de Moraes.

The Girl from Ipanema

1967
Celebração - 100 Anos do Cinema Nacional
N/A

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

Celebração - 100 Anos do Cinema Nacional

1997
El Justicero
5.9

A shockingly irreverent follow-up to the rural austerity of Barren Lives, dos Santos’ Godardian social satire owes more than a nod to the self-conscious antics of the French New Wave. The pampered son of a general, El Justicero is a hipster playboy who fancies himself a James Bond/Jean Paul Sartre urban hero. “Archetypical” yet “full of contradictions,” he sees that justice is achieved for the disadvantaged while taking advantage of certain bourgeois perks. His exploits are closely followed and eventually directed by his biographer who decides a film is not only more lucrative than a book, but it gives him the luxury of reviewing previous scenes. Unlike Bond, El Jus eventually experiences an awakening which threatens to compromise the entertainment value and glamour of his life story. - Harvard Film Archive

El Justicero

1967
Alibi
6.0

Three friends meeting after the absence of one of them for 15 years out of the country. This sudden gathering give them the opportunity to examine their life, to criticize one another on their achievements.

Alibi

1969
Killed the Family and Went to the Movies
6.6

A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.

Killed the Family and Went to the Movies

1969
Menino do Rio
6.5

Romantic adventures of a group of Rio de Janeiro teenagers and surfers.

Menino do Rio

1982
Lucia McCartney, Call Girl
4.7

In the 60's Lúcia McCartney is a call girl who is a fan of the Beatles. A diplomat tries to get her out of prostitution by falling in love with her.

Lucia McCartney, Call Girl

1971
On Borrowed Time
6.8

During the Brazilian military government, journalist Estêvão is sent from Rio de Janeiro to Brasilia to cover the important statement of a minister, but takes the opportunity to deliver incriminating documents to another one.

On Borrowed Time

1968
Wistful Lover
6.1

Ana is going through psychological problems. She and lifelong friend Cléia decide to revisit the place they spent their childhood together in an attempt to get better results in her treatment. But they meet a stranger who will upset their plans.

Wistful Lover

1984
Brás Cubas
6.5

Irreverent adaptation of great writer Machado de Assis's masterpiece "Memórias Póstumas de Brás Cubas" ("Brás Cubas's Posthumous Memories"). A dead man tells about his love life and adventures, specially his affair with Virgília, a dubious married woman.

Brás Cubas

1985