Ryunosuke Shimizu

Princess Oboro, the queen of the Tanuki palace and stubborn at heart, falls in love with coffeehouse worker Kurotaro at first sight.

A lowly drunken samurai finds an abandoned baby in the woods and takes it home. A gift from a fox. But there's something special about the boy.

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The eldest daughter of the Takamatsu family, Atsuko, a widow, returns home due to not getting along with her late husband's family. On the other hand, the youngest daughter, Yukiko, is in love with a teacher older than her, much to her father's chagrin. All of this, together with Yukiko and Atusko not getting along, will shake the foundations of the Takamatsu family.

A man dies in an automobile accident and returns as a white-haired demon and seeks revenge on his wife and her lover

Mizoguchi’s 30th film is the earliest surviving example of his work, and his only film of the 1920s to survive complete. Song of Home finds the director already concerning himself with the collision of traditional and modern values. The film is structured around the contrast of two country-bred boys: a coach driver who has never left his home, and a student who returns from Tokyo with city-slicker affectations and Western jazz records. Produced by the Ministry of Education, the film has a simplistic lesson-plan at its heart, but what lingers in the mind after viewing are its more ineffable qualities: The dulcet, lyric, evocation of a disappeared rural past.