Marc Ribot

The Blues (2003) is a seven-part documentary series produced by Martin Scorsese that explores the history and influence of blues music. Each episode, directed by a different filmmaker, traces a unique aspect of the genre’s evolution—from its African roots to its global impact. Originally airing on PBS, the series includes Scorsese’s Feel Like Going Home, Wim Wenders’ The Soul of a Man, Richard Pearce’s The Road to Memphis, Charles Burnett’s Warming by the Devil’s Fire, Marc Levin’s Godfathers and Sons, Mike Figgis’ Red, White and Blues, and Clint Eastwood’s Piano Blues.

In Memphis, Tennessee, over the course of a single night, the Arcade Hotel, run by an eccentric night clerk and a clueless bellboy, is visited by a young Japanese couple traveling in search of the roots of rock; an Italian woman in mourning who stumbles upon a fleeing charlatan girl; and a comical trio of accidental thieves looking for a place to hide.

A disc jockey, a pimp and an Italian tourist escape from jail in New Orleans.

Many many words have been written and a few ingenious TV documentaries have been filmed about the great Russian rock band Auktyon, which recently celebrated 30 years of playing music. Everything is completely different in the case of the film Encore: it took seven years for the director, Dmitry Lavrinenko, to make it; he needed just that amount of time to capture the wayward grace still preserved by Fyodorov, Garkusha, Ozersky and their associates. If you look behind the powerful music facade, you find not a story of a band but chronicles of a voyage aimed at incredible, incomparable music. Encore shows how the songs which are now known by heart were composed; it also shows things generally left aside: pieces of everyday life, tour diaries, conversations, including the key phrase: "You should not look at the liberty too much, you might feel dizzy.

Bringing his unique sense of humor to this bizarre and original piece of moviemaking, Tom Waits takes the audience through a musical journey with his jazzy, quirky, bluesy tunes presented as you would never, ever, ever expect.

One of America's most notorious drug dealers, Lori Arnold, sister of actor Tom Arnold, takes a break from her mundane Ohio factory job to confront her criminal past in her Iowa hometown in this rollicking and emotional three-part series.

Paris, North Station, anything comes by, even trains. One would like to stay, but they have to hurry up... Like other thousands lives crossing, Ismael, Mathilde, Sacha and Joan are going to meet here...

After twenty years of being a drunk, Mort Gleason witnesses his nephew being beaten while in a drunken stupor. The ordeal brings Mort back to what are left of his senses and he returns to the last home he remembers in Chicago.

Wim Wenders looks at the dramatic tension in the blues between the sacred and the profane by exploring the music and lives of three of his favorite blues artists: Skip James, Blind Willie Johnson and J. B. Lenoir. Part history, part personal pilgrimage, the film tells the story of these lives in music through an extended fictional film sequence (recreations of '20s and '30s events - shot in silent-film, hand-crank style), rare archival footage, present-day documentary scenes and covers of their songs by contemporary musicians such as Shemekia Copeland, Alvin Youngblood Hart, Garland Jeffreys, Chris Thomas King, Cassandra Wilson, Nick Cave, Los Lobos, Eagle Eye Cherry, Vernon Reid, James "Blood" Ulmer, Lou Reed, Bonnie Raitt, Marc Ribot, The Jon Spencer Blues Explosion, Lucinda Williams and T-Bone Burnett.

Five days in the life of fabled Greenwich Village guitar store Carmine Street Guitars.

Filmed at St. Anne's Cathedral, Brooklyn in 1989

The complex and revolutionary music and lyrics of Marc Bolan and T. Rex, the glam rock powerhouse behind “Bang a Gong (Get it On)” and other iconic songs. Featuring archival performances and interviews with Elton John, Ringo Starr, and David Bowie, plus filmed musical interpretations by artists such as Nick Cave, John Cameron Mitchell, Joan Jett, Macy Gray, U2, and Father John Misty.

Killing Zone is the story of an affluent Harlem psychiatrist living an unexamined life until his adoptive father- a doctor who plucked him from a Nigerian refugee camp as a child - is gunned down by an eleven-year-old in Brooklyn. In an instant, everything he's absorbed in twent years in America is thrown into question, and his search for the boy resurrects memories of his own buried past.

A rare peek into the working methods of John Zorn. Filmed over a ten year period, this documentary includes live footage of Masada, Naked City, Cobra, as well as improvisations, his classical work and rare interviews. A prize winner at European festivals, this film documents Heuermann's very personal, fifteen year odyssey with the music of John Zorn.

It took nine years to create two feature films. They were conceived as a movie-diptych about Leonid Fedorov and a group of musicians formed around him.

Tom Waits 1985 performance of "16 Shells From A 30.6" and “In the Neighborhood” from the album 'Swordfish Trombones' and "Cemetery Polka" and “Walking Spanish” from the album 'Rain Dogs' Live On The Tube.

A visceral homage to those living and dying under the shadow of AIDS in a world run amok.

We aren't dying the way we used to. We have ventilators, dialysis machines, ICUs-technologies that can "fix" us and keep our bodies alive-which have radically changed how we make medical decisions. In our death-denying culture, no matter how sick we get, there is always "hope." Defining Hope tells the story of patients dealing with life-threatening illness as they move between ICUs, operating rooms, hospice care and home. Diane is a nurse caring for end-stage cancer patients when she is diagnosed with ovarian cancer herself. 23-year-old Alena undergoes a risky brain surgery that destroys her short-term memory. 95-year-old Berthold lives with his elderly wife who struggles to honor his wish of dying peacefully at home. Defining Hope follows these patients and others- and the nurses that guide them along the way- as they face death, embrace hope, and ultimately redefine what makes life worth living.

A look at NYC’s gentrification and growing inequality in a microcosm, Class Divide explores two distinct worlds that share the same Chelsea intersection – 10th Avenue and 26th Street. On one side of the avenue, the Chelsea-Elliot Houses have provided low-income public housing to residents for decades. Their neighbor across the avenue since 2012 is Avenues: The World School, a costly private school. What happens when kids from both of these worlds attempt to cross the divide?

What story is hidden in the stranded suitcase full of pictures, sounds and letters whose origins we do not know? The film is an homage to cinema, a film poem made up of images between dream and reality; a network of sounds, text fragments and voices that leads far out into the world and at the same time close to us. Aren’t we all floating islands?