Fabrice Sébille

Four middle-aged male friends fumble their way through love, life and career crises in modern-day Paris — when did being a man become so hard?

When a deadly mist engulfs Paris, people find refuge in the upper floors of the buildings. With no information, no electricity and hardly any supplies, Mathieu, Anna and their daughter Sarah try to survive the disaster.

In southern France, a Franco-Arabic shipyard worker along with his partner's daughter pursues his dream of opening a restaurant.

Screen adaptation of the memoires of Daniel Cordier, a member of the French Resistance and close friend of Resistance leader, Jean Moulin.

After the death of their father, two half-brothers find themselves on opposite sides of an escalating conflict with tragic consequences.

The story of a busy man, who fills his time travelling to Africa, South America and the Middle East. His passion for his job has distanced him from his loved ones. He’s been divorced for three years and has since seen his son very little. When the latter disappears, he is forced to stand still, and soon discovers things about his ex-wife and, above all, his son. A terrible feeling of guilt overwhelms him and he decides to find his son at all costs...

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It's the year of the baccalaureate for Magyd, a little Arab from rue Raphaël, northern districts of Toulouse. A formality for the French, a seismic event for the “native”. Just think, the first Arab ferry in the city. The end of a tunnel, the climax of a long standoff with fate, under the incessant loving pressure of the all-powerful mother and the jeering quelibets of the gang. Because it is not good to pass for an “intellectual” after school, in the periphery of “living together”; Magyd and his inseparable friends, Samir the activist and Momo the chat artist, experience it on a daily basis.

When Arthur decided to become a policeman it was most definitely not so that he would be put on the trail of a group of ultra-left wing artists, the Black Fist Collective. No, his real motivation was so that he could trace his father, Public Enemy Number One, La Malice. But, alas, it is Chief Inspector Moulinette who sets the rules, assisted by his faithful lieutenant Gégé. Arthur has no choice but to infiltrate the troublesome Collective, by posing as an actor...

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Brice Dellsperger's reprise of Stanley Kubrick's A Clockwork Orange and Ken Russell's Women In Love