Irene Ryan

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Jed Clampett's swamp is loaded with oil. When a wildcatter discovers the huge pool, Jed sells his land to the O.K. Oil Company and at the urging of cousin Pearl, moves his family to a 35-room mansion in Beverly Hills, California.

An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

A widower and aeronautical engineer named Steven Douglas raises three sons with the help of his father-in-law, and later the boys' great-uncle. An adopted son, a stepdaughter, wives, and another generation of sons join the loving family in later seasons.

The Bradley family are proud owners of the Shady Rest Hotel. Kate and her three young daughters do the job of running the hotel.

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Wilbur Post and his wife Carol move into a beautiful new home. When Wilbur takes a look in his new barn, he finds that the former owner left his horse behind. This horse is no ordinary horse . . . he can talk, but only to Wilbur, which leads to all sorts of misadventures for Wilbur and his trouble-making sidekick Mister Ed.

The Dean Martin Show, also known as The Dean Martin Variety Show, is a TV variety-comedy series that ran from 1965 to 1974 for 264 episodes. It was broadcast by NBC and hosted by entertainer Dean Martin. The theme song to the series was his 1964 hit "Everybody Loves Somebody."

The Bob Hope Show hosted by Bob Hope, debuted on April 9, 1950. During the 1952-1953 season, NBC rotated with other variety shows in a Sunday night block known as "The Colgate Comedy Hour" (Sept. 1950 to Dec. 1955). Also known as, "The Chevy Show with Bob Hope." When the first special debuted in October of 1950 it was the most expensive television program made up to that point - costing an astronomical $1,500 a minute to produce. Bob Hope had his own television show and radio show at the same time. For the next three seasons, The Bob Hope Show was broadcast once a month on Tuesday nights, giving Milton Berle a week off. Bob ended his radio show in April, 1956. Bob Hope also had another show by a similar name, "The Bob Hope Show (All Star Revue)". In addition, he performed in "Specials" for many years. It is the longest running variety program in television's history with a record of 45 years of televised entertainment.

The Real McCoys is an American situation comedy co-produced by Danny Thomas' "Marterto Productions", in association with Walter Brennan and Irving Pincus' "Westgate" company. The series aired for five seasons on the ABC-TV network from 1957 through 1962 and then for its final year on CBS from 1962 to 1963. The series, set in the San Fernando Valley of California, was filmed in Hollywood at Desilu studios.

The Hollywood Palace is an hour-long American television variety show that was broadcast weekly on ABC from January 4, 1964 to February 7, 1970. Originally titled The Saturday Night Hollywood Palace, it began as a mid-season replacement for The Jerry Lewis Show, another variety show which had lasted only three months. It was staged in Hollywood at the former Hollywood Playhouse on Vine Street, which was renamed The Hollywood Palace during the show's duration and is today known as Avalon Hollywood. A little-known starlet named Raquel Welch was cast during the first season as the "Billboard Girl", who placed the names of the acts on a placard.

The Danny Kaye Show is an American variety show hosted by Danny Kaye that aired on CBS from 1963 to 1967 on Wednesday nights. Directed by Robert Scheerer, the show premiered in black-and-white, but later switched to color broadcasts. At the time, Kaye was at the height of his popularity, having starred in a string of successful films in the 1940s and '50's, made successful personal appearances at such venues as the London Palladium, and appeared many times on television. His most recent films had been considered disappointing, but the television specials he starred in were triumphant, leading to this series. Prior to his television and film career, Kaye had made a name for himself with his own radio show, and numerous other guest appearances on other shows.

Alcoa Theatre is a half-hour American anthology series telecast on NBC at 9:30 pm on alternate Monday nights from October 7, 1957 to September 16, 1960. The program also aired under the title Turn of Fate, with the stories depicting the difficulties faced by individuals who are suddenly thrust into unexpected and perilous dangers. Alcoa Theatre was syndicated together with Goodyear Theatre as Award Theatre. In 1955, The Alcoa Hour premiered in a one-hour format aired on Sunday nights, but it was reduced to 30 minutes, retitled Alcoa Theatre, and moved to Monday evening in 1957. The show employed an alternating rotating company of actors: David Niven, Robert Ryan, Jane Powell, Jack Lemmon and Charles Boyer. Each appeared in dramatic and light comedic roles through the first season.

A young woman, Jill Young, grew up on her father's ranch in Africa, raising a large gorilla named Joe from an infant. Years later, she brings him to Hollywood to become a star.

Nurse Nora Gilpin plans are to marry building contractor Tim McCarey and settle down. But one night a sleepwalking Nora slips into a provocative dress and goes to the home of startled lawyer John Raymond, for whom she doesn't care much during the day. She does not reveal her name and he cannot figure out where they have met, but they spend several hours together until she gets away before John notices.

Bringing Up Buddy is an American situation comedy which aired on CBS during the 1960–1961 season.

The Don Knotts Show was a variety program aired by NBC as part of its 1970-71 lineup. Long relegated to the role of sidekick, which he had portrayed for many years in several television series and films, Don Knotts was the headliner here. Each week, he and his guests put on standard TV variety fare of the era. Two recurring features were a skit about the effort involved in putting a weekly television series on the air, much in the spirit of The Jack Benny Show, and The Front Porch, in which Don and a guest would sit in rocking chairs and quietly discuss their philosophies of life. Notable regulars in his cast included Elaine Joyce and Gary Burghoff, who had previously portrayed "Radar O'Reilly" in the film version of M*A*S*H and was about to achieve his greatest fame in reprising that role for the television version of it.

A spinster finally finds the right man when she returns to her alma mater after 15 years for a class reunion.

General Electric Theater is an American anthology series hosted by Ronald Reagan that was broadcast on CBS radio and television. The series was sponsored by General Electric's Department of Public Relations.