Ivo Lopes Araújo

Sergio travels to a metropolis in West Africa to work for an NGO as an environmental engineer on a road project between the desert and the forest. There, he becomes entangled in an intimate yet unbalanced relationship with two inhabitants of the city, Diara and Gui. As neo-colonial dynamics among the expatriate community unravel, this fragile bond becomes his only refuge from an impending collapse into solitude or barbarism.

Madalena is a film producer having to deal with the recent death of her father, her 8-month pregnancy and the production of a B-sci-fi film where everything seems to go wrong.

When radical science backfires, miners and researchers confront apocalypse in Tiago Melo’s pulpy, politically charged sci-fi fusing local myth, dark humour, working-class grit and radioactivity in Brazil’s Northeast.

Over a trio of summers, a caretaker for luxury condominiums relies on her resourcefulness and her eye for opportunity to take advantage of whatever comes her way.

An experimental collective film lasting little more than an hour, compiled from 10 episodes by a total of 14 different young Brazilian filmmakers. The project was an initiative of the directing duo Felipe Bragança and Marina Meliande, who sent a ‘letter of concern’ to inspire the participants. In it, a 16-year-old girl wrote about her dreams, which have been translated by the directors into films about love, youth and the possibilities of cinema.

Sidarta Ribeiro, a Brazilian neuroscientist, explores how dreams and other forms of access to the unconscious can transform human experience. In his research, he proposes combining the ancestral knowledge of indigenous peoples and people of African origin in Brazil with scientific knowledge, as well as a scientific reevaluation of experiences with hallucinogens.

André is a broken man, who lives isolated in a forest. The forces of nature embrace his body as he drowns in his effervescent inner world. Between the insomnia and the dreams, André is haunted by his past. He wishes to deconstruct himself, heal his sorrow and take the responsibility from his acts. He puts himself before the abyss where he must embrace his ghosts and change his skin in order to survive.

After losing his job and the end of his marriage, Júnior returns to his father's house. But that is not his childhood house anymore. His old room has been rented by a young woman and the place feels unwelcome and oppressive. Júnior develops and obsession for his family history, as strange things start happening in the house.

Juvenal is a metro driver from Belo Horizonte. Margô, a station controller. Both live in a state of complete solitude – each in a particular way. Juvenal refuses to be alone and strolls through the streets of this metropolis taking comfort by mingling with the anonimous crowd. Margo seeks relief in the virtual world of social networks where she struggles to establish long lasting relations with real persons.

Paulete, the star of a daring theater group, is visited by his military brother-in-law, the young Fininha. A torrid relationship arises between the two, and now the soldier must deal with the prevailing repression during the Brazilian military dictatorship.

After receiving a strange picture postcard, Marina knows there’s nothing else to it but to return to Rio de Janeiro, the beautiful city that here seems threatening and almost enchanting.

Returning early from his vacation after the Carnival period to investigate the murder of a young French tourist, Breno Wanderley is faced with possible reflections of his own history from which he cannot escape. Between Ash Wednesday and post-Carnival Sunday, Breno tries to unravel the crime and sees in his son, also called Breno, a chance to reinvent himself in a broken and sullen city.​

Suçuarana is the name of a mythical place, a lush landscape that appears in the weathered photo of her mother that Dora carries with her always. Dora has been on the road for a long time, hitching rides through Brazil’s mining region in search of her family’s homeland. But no one seems to know this place, seemingly lost to time. And the open road can be troubling for a woman traveling alone, as the generosity of strangers is suddenly eclipsed by danger. After an accident, Dora seeks refuge in an abandoned factory; there, a group of workers have formed a village and a community bond that feels akin to the home Dora searches for, if just for a moment.

Léo goes on vacation at his cousin's, in a fishing village. There, he meets a girl who goes by the nickname Heartless.

Salvador, 1984. After twenty years of dictatorship, people go to the streets to ask for general elections. This will be a year of transformations for the country and the young Caio.

Raúl is an unemployed cattleman that lives in an isolated house on the fields. The landscape of pastures is being superimposed by huge soy plantations. Devastated by poverty, he joins a gang of other peasants that steals cattle during the darkness of the nights on the pastures.

The living call for revenge. The dead minerals and vegetables demand revenge. It is the hour of general protest. It's time for the destroying flights. It's time for the barricades, the shootings. Famines, desires, cravings, lost dreams, miseries of all countries, unite.

Fifty-something Rosa, lying in an MRI scanner, is prompted to summon a happy memory. She plunges into a meandering, subconscious road trip with her indomitable mother, both queer, where wild imagination becomes a tender, unruly form of therapy.

While the country is under the yoke of a military junta and corrupt priests preach the apocalypse, a lawless, eccentric family – a kind of Bonnie & Clyde with kids – trek through the Brazilian interior. Their first aim is to deliver a consignment of weapons to a group of militant nuns who have withdrawn to the jungle, living off the income from their cannabis plantation. As gay , bi, trans, the converts so organized to make revolution.

A wealthy middle-aged woman unexpectedly finds herself caring for two impoverished young siblings, in this subtle, touching and sincere study of class disparity from Brazilian filmmaker Sandra Kogut.