Jonathan Kent

Jim Bergerac is a detective sergeant in The Foreigners Office who likes to do things his own way. While dealing with his own personal demons Bergerac has a knack of finding trouble, and sometimes causing it.

Each self-contained episode features a different kind of horror, varying from witches, werewolves, ghosts, devil worship and voodoo, but also includes non-supernatural themes such as cannibalism, confinement and serial killers.

Channel 4 documentary series covering all branches of the arts.

Widely celebrated as Alan Bennett's masterpieces, his multi-award-winning Talking Heads return to BBC One. Filmed during lockdown under social distancing guidelines, a new generation of Britain's finest actors star in 10 of Bennett's classic scripts, alongside two brand new Talking Heads penned by the acclaimed writer last year.

Baal is an amoral poetic genius who, after a life of debauchery, betrayal and violence, is about to cut his ties to the world and meet his doom. A high society party is where the end begins.

A scholarly king and his three companions swear off the society of women for three years, only to have a diplomatic visit from a French princess and her three ladies-in-waiting thwart their intentions.

Murder victims are being found with the hearts cut out. A police detective is assigned to find and stop the killer. Originally an episode of British horror anthology TV series, Hammer House of Horror, that later received a feature release in the United States.

The French tale of a beautiful young woman destroyed by her conflicting needs for love and luxury.

Over the course of a day, a married couple, Mary and James Tyrone, and their two sons, Jamie and Edmund, grapple with Mary's morphine addiction and confront each other over the past in a series of emotionally tense and volatile exchanges.

On a summer's day in a makeshift theatre by a lake, Konstantin's cutting-edge new play is performed, changing the lives of everyone involved forever. Chekhov's masterly meditation on how the old takes revenge on the young is both comic and tragic, and marks the birth of the modern stage. Adapted by David Hare whose stage plays include Skylight, Pravada, and screenplays include The Hours and The Reader, directed by Jonathan Kent (Gypsy, Private Lives).

Elyot Chase and Amanda Prynne are glamorous, rich, reckless…and divorced. Five years later, their love for one another is unexpectedly rekindled when they take adjoining suites of a French hotel while honeymooning with their new spouses. This chance encounter instantly reignites their passion, and they fling themselves headlong into a whirlwind of love and lust once more, without a thought for partners present or turbulences past. This Chichester Festival Theatre production of Noël Coward’s Privates Lives was filmed live at London's Gielgud Theatre.

Gypsy's mother Rose dreams of a life in show business for her daughters, but Louise becomes a huge burlesque star. Stage musical loosely based on the memoirs of Gypsy Rose Lee.

In June 2014, London’s Royal Opera House presented Jonathan Kent’s new production of Manon Lescaut. With a stellar cast, including Kristīne Opolais and Jonas Kaufmann in the roles of the young lovers Manon Lescaut and Chevalier des Grieux, Jonathan Kent brings this 19th century classic to a 2014 setting, both non-naturalistic and theatrical. Supporting the action on stage is the Orchestra and Chorus of the Royal Opera House, Covent Garden, with their venerable Music Director Antonio Pappano.

The star singers in this revival of the 2006 production were Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel; the Royal Opera Chorus and the Orchestra of the Royal Opera House were under the baton of Antonio Pappano, the Music Director of the Royal Opera House. The pageantry of church ritual, the darkness of a brooding study with its hidden torture chamber and the false optimism of the light of a Roman dawn - all throw into relief the love of the beautiful diva Tosca, the idealism of her lover Cavaradossi and the deadly, destructive obsession of the malevolent Chief of Police, Scarpia. Drama, passion and fabulous music.

The painter Mario Cavaradossi helps a fugitive escape – and so attracts the attention of Scarpia, the sadistic Chief of Police. Scarpia captures Cavaradossi and has him tortured within earshot of his lover, the singer Tosca. Scarpia sentences Cavaradossi to death – but promises Tosca that her lover can be saved if she gives herself to Scarpia. Tosca consents but as soon as the order has been given kills Scarpia. Scarpia’s menace continues even in death: betrayed by a double-cross, Cavaradossi dies and Tosca leaps to her death.

In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession.

Mozart's second collaboration with the mercurial librettist Lorenzo da Ponte is among the very blackest of black comedies. Glyndebourne welcomes back the winning team of director Jonathan Kent and designer Paul Brown, while the music is conducted by Vladimir Jurowski. In the title role, the bass-baritone Gerald Finley, joined by Luca Pisaroni, Kate Royal and the young Russian soprano Anna Samuil.

"Manon Lescaut is a heroine I believe in," wrote Giacomo Puccini to his publisher Giulio Ricordi. Experience Puccini's third opera and first big success in Götz Friedrich's landmark 1983 production at the Royal Opera House. The extraordinary Plácido Domingo and Kiri Te Kanawa take on the roles of the Chevalier Des Grieux and Manon Lescaut, accompanied by the Royal Opera House Choir and Orchestra under the direction of Giuseppe Sinopoli.

A remote English country house, and old and faithful housekeeper, two young orphan children and an eager new governess sent down from London to look after them. But all is not quite as it seems in the sheltered world of Bly. Britten's brilliantly scored, insidiously compelling adaptation of Henry James's novella takes its themes of of childish innocence and adult corruption, then twists and turns them to disturbing and ultimately devastating effect.

Jonathan Kent's spectacular production of Purcell's huge semi-opera is joyous, imaginative and witty. Glyndebourne, with its intimate auditorium, provides the perfect setting for the drama which is partly spoken and partly sun. Based on an adaptation of Shakespeare's A Midsummer Night's Dream,