Milton Moraes

Marina is raised by her father on an island after her mother's death. As a teenager, she moves to Rio de Janeiro to study and live with her godparents, where she ends up falling in love with Marcelo.

Nonô Corrêa, a character inspired by Molière's "The Miser", is the story's protagonist. The orphan Zezinho crosses paths with Nonô and wins the neurotic gentleman's heart.

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A down-on-her-luck former inmate tries to reconnect with her daughter--to the objections of her sister who raised the girl, meets a millionaire, and transforms into a strong woman, returning to society at Dancin' Days nightclub's opening.

Maria do Carmo becomes wealthy through her father's business dealings and becomes a successful businesswoman, but she retains the habits of her humble past.

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Romantic and dreamy, Eliana works at a five-star hotel and becomes involved with unrequited love, a bumbling gang, and a complex police story.

The telenovela tells the story of Francisca Moura Imperial, a wealthy businesswoman, and her two sons: Jordão and Tiago, who show little interest in the family business. Jordão is the product of a whirlwind romance in Francisca's youth, while Tiago was born from her marriage to Roberto, a seductive man who moves in high society but is penniless. Francisca is preoccupied with her sons but cannot interfere in their lives as much as she would like. Eccentric and full of outlandish ideas, she decides to undergo plastic surgery, which makes her look 20 years younger, believing that this will bring her closer to Jordão and Tiago. Francisca's greatest concern is that at least one of her sons will marry and give her a grandchild, thus ensuring the continuation of the family name.

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Saramandaia is a Brazilian telenovela originally written by Dias Gomes in 1976. It's considered remarkable because of the Magic Realism (used by the author to subtly criticize the Military Regime of the time) and had 160 chapters. The story centers on the name change that the city undergoes, promoted by the younger citizens and reviled by the older ones. It also focuses on the lives of the city's quirky residents.

After getting lost on a sea excursion, Jô Penteado and Fábio Coutinho develop mutual feelings during the two months they spend stranded on a deserted island.

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The soap opera critiques the power struggles among rural politicians in the 1920s. Joaquim is shocked when a doctor reveals that his son, Luís Jerônimo, has a lung lesion. To recover his health, the young man leaves Rio de Janeiro for Colonel Boanerges's farm in Vila da Mata, Espírito Santo. There, he meets Zuca, and the two fall in love. Zuca is the colonel's goddaughter and the fiancée of the fearless cowboy Tobias, who refuses to accept the possibility of losing her to the outsider. Zuca and Luís Jerônimo face numerous obstacles in pursuing their love. Their romance is also threatened by the arrival of Pepa in Vila da Mata; having been in love with Luís Jerônimo back when he lived in Rio, she tries by every means possible to drive the couple apart.

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For 30 years, José João Batista—better known as Zezão—worked for the same company. After being forced into retirement by the board, he is left bitter and resentful, only to win a major lottery prize. However, he never collects the winnings, as he is struck and killed by a vehicle beforehand; the winning ticket ends up being buried with him. Angelina, Zezão’s wife, and their four children—Pedro, Jesus, André, and Maria de Fátima—search everywhere for the ticket, until Angelina has a vision of her late husband. In the vision, he reveals that he was buried with the ticket, which was tucked into the pocket of his suit jacket. Angelina then decides to exhume Zezão’s body. When the coffin is opened, the family discovers the corpse wearing only his underwear and concludes that the ticket has been stolen. This sets the stage for the soap opera's main plot: the search for the missing ticket.

Eloá and Osmar's marriage is thrown into crisis when a mysterious man crosses their path. With a thirst for prestige and power, Eloá will face the consequences of her ambition.

Lauro Fontana wants to build the biggest hotel in Brazil, but he needs to convince the Camará brothers to sell the mansion they live in, facing ethical dilemmas and personal obstacles.

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César, a sugar mill owner in Pernambuco, lives in Rio de Janeiro with his wife Maria Luiza and daughters, Débora and Suzy. One day, tired of his life, he decides to fake his own death and assume another identity. César does this with the help of França, the financial director of the sugar mill – which also belongs to Alaor. César and França stage a car accident, plunging off Avenida Niemeyer in Rio and disappearing into the sea. César leaves Alaor on the verge of bankruptcy and Maria Luiza and the two girls in poverty, completely transforming their lives.