George F. Marion

Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.

A young Acadian woman spends years searching for her lost love after the two are separated and forcibly relocated by the British.

William S. Hart stars in this 1925 silent film as a cowboy intent on claiming land during the 1889 land rush in the Oklahoma Territory. Though hardened from years of taming the new frontier, he falls in love with a beautiful woman. Before he settles down, however, he must contend with men who wish to bring him harm. In the prologue of the 1939 Astor Pictures revival of this film, Hart gives a moving eight-minute introduction-- the first and only time he appeared in a film accompanied by his striking voice.

O'Day, the terror of Red Gulch, wins the entire stake of a gambler named Granger in a poker game but gives it all to Denver Nell, a dancehall girl, when she tells him her sad story. O'Day later discovers that she has returned the money to Granger, and he decides to reform. He goes to another town, where (now known as Good Deed O'Day) he meets an old friend, a wealthy rancher with whose sister, Mary, he is in love. Snowden takes a trip to Denver and returns with Nell, whom he has married.

Convicted of manslaughter for a drunken driving accident, Kent Marlowe is sent to prison, where he meets vicious incarcerated figures who are planning an escape from the brutal conditions.

A troubled young woman comes to live with her estranged father on the New York waterfront. A tough sailor falls in love with her, sparking conflict between her father and her suitor. What neither knows is that she has a secret that could cause her to lose both of them.

The sister of a sponge diver killed by a stingray loves an escaped convict posing as a priest.

Old sailor Chris Christofferson eagerly awaits the arrival of his grown daughter Anna, whom he sent at five years old to live with relatives in Minnesota. He has not seen her since, but believes her to be a decent and respectably employed young woman. When Anna arrives, however, it is clear that she has lived a hard life in the dregs of society, and that much of spirit has been extinguished. She falls in love with a young sailor rescued at sea by her father, but dreads to reveal to him the truth of her past. Both father and young man are deluded about her background, yet Anna cannot quite bring herself to allow them to remain deluded.

Ivy Stevens is a cafe entertainer in love with a shifty salesman who deserts her. In attempting to commit suicide, she is saved by Carl, a Salvation Army officer. Encouraged by Carl, Ivy joins the Salvation Army. When her old flame re-enters her life, Ivy finds she is still attracted and begins another affair with him.

A young man attempts to overcome the memory of his father, who was sent to jail for committing a murder.

Laconic cowboy Maverick Brander just happens to be a very wealthy rancher, but the money doesn't really mean that much to him. The same can't be said for his social-climbing wife and his man-crazy daughter Bossy. His wife, with the help of some political bosses, helps Maverick get elected to Congress, where he manages to get in all sorts of trouble, including getting blackmailed by opponents of a bill he's trying to get passed.

A carnival huckster who decides to turn pennies into dollars by passing himself off as a hellfire-and-brimstone evangelist.

A milquetoast Easterner who on a trip to the Wild West is mistaken for a U.S. marshall.

Opera prima donna leaves the Metropolitan to form her own company with Tibbett as leading man. She leaves this company too which means Tibbett and company must carry on without her.

The victim of a political assassination is brought back to life by a scientific experiment. However, the effects only last for six hours, and he must find his killer in that time.

The Isle of Lost Ships is a 1929 talking film released in an alternative silent version with a Vitaphone track of effects and music. It was produced by Richard A. Rowland and distributed by Warner Bros..

Two fast-talking insurance salesmen meet Mary, who is running away from her wealthy mother, and they agree to help her run a hotel that she owns. When they find out that the hotel is run down and nearly abandoned, they launch a phony PR campaign that presents the hotel as a resort favored by the rich. Their advertising succeeds too well, and many complications soon arise.

A gangster's girlfriend on the run from the police, who suspect her of helping her boyfriend commit a robbery, holes up in a waterfront bar. She stows away on a fishing boat headed out to sea, and winds up falling in love with and marrying one of the fishermen, but doesn't tell him about her past. However, a year after they're married and have a child, her ex-boyfriend gets out of jail and comes looking for her.

A camp butcher on an Albany night boat dreams of the South Seas.

While a distinguished astronomer is giving a lecture in a planetarium, a shot rings out and one of the audience members is found dead. A tough detective and a brassy female reporter lock horns as they both try to break the case.