William Dickerson

A troubled young woman inherits a cabin filled with memories, but revealed secrets of the past ruin her hopes of a fresh start.

Trapped inside his car by a mudslide, smooth talking Jackson Alder suddenly finds himself in a situation he can't talk his way out of. With no hope of rescue, he must defy the odds; battling Mother Nature for his survival.

Shy high schooler Henry and outgoing friend Max attend Model UN in 1990s New York. Amid tensions and uncertainties, Henry connects deeply with Lucy, reconciling with Max and gaining confidence.

Thomas Harrison is determined to start his own alternative band after the suicide of Kurt Cobain—it's an obsession that blinds him to what's either the mental collapse, or the eruption of musical genius, of his little sister, Bridget. Bridget boldly rejects her brother's music, and the music of an entire generation of slackers, by taking on the persona of a gangsta' rapper.

A war hero forces himself to relive the war by watching the film of his own torture.

Ten minutes into the future a drug is invented called "GOD". This drug allows its user to actually commune with God. There is one drawback however... the user will die. This hasn't stopped thousands of people from taking it.

Who is Taylor? That is the question filmmaker William Dickerson tries to answer in this metafictional satire about a quirky and charismatic lifestreamer. "Taylor" is an open book who magnetically draws others into his world where public and private are one and the same. But as Dickerson pushes Taylor to delve deeper into his traumatic past, the story takes an unexpectedly dangerous turn.