Dibakar Banerjee

Angry Young Men is the story of Salim-Javed, legendary screenwriters of 1970s Hindi cinema. Together, they created the archetype of the Angry Young Man - a brooding anti-hero who captured the imagination of an entire nation with his rage, defiance, and quest for social justice. Like the character they created, Salim Khan and Javed Akhtar, two outsiders to the Hindi film industry, defied all odds, questioning the position of writers and demanding recognition as much as the reigning stars of that time. Their break-up made headlines for many years and Indian cinema never saw a cultural collaboration as powerful again. This is a personal and candid account of their lives, their writing and their legacy.

An anthology of four stories that sheds light on modern relationships from the viewpoint of the Indian woman.

An anthology of four short horror tales.

Lovinder Singh, a thief now in custody and facing trial, reflects on his life of crime while the press reflect on how he managed to get away with so much before being arrested.

Byomkesh, fresh out of college, agrees to investigate the disappearance of Bhuvan, a chemist. Assisted by Bhuvan's son Ajit, Byomkesh links the case to a larger conspiracy that will unsettle Calcutta.

One hundred years of Hindi cinema is celebrated in four short stories showcasing the power of film.

A video camcorder, a store security camera, and concealed cameras candidly expose lives in three loosely linked tales.

Kamal Khosla's land is grabbed by a land shark named Khurana. In a bid to retrieve their land, Khosla's elder son hatches a clever plan to con the crook and enlists the help of his friends and his dysfunctional family.

A young man in Delhi tries to break free from his controlling, criminal brothers.

In a high-tech world, three intertwined stories discuss identity, online intimacy and the allure of social networks.

Sandeep, a bank executive & Pinky, a suspended cop, are marked for a kill. Phones tapped, accounts blocked, they escape but escaping is not freedom.

Spanning across 90 years, follow a middle-class Muslim family across three generations. 2042. Six months after his manuscript titled Tees (30) is rejected for publication by the Literature and Arts Commission, Anhad Draboo, a young freelance prostitute, meets Niharika, a “reader” from the Commission – who has been searching for Anhad ever since she read his manuscript. 2018. Zia Draboo, a corporate lawyer living in Mumbai and all set to buy the flat she has been renting with her partner Meera, finds out she cannot buy it because of the Housing Society’s resistance to her name. 1989-90. Ayesha, a housebound State Radio newsreader in Srinagar, Kashmir, reaches out to her childhood friend Usha to solicit help from her husband – a government official. She needs it for her own husband, Ghulam Muhammad, who faces bankruptcy and ruin amongst rising unrest in the city.

Prime leader of a campaign against a big government project is killed in what appears to be a road accident. An IAS officer is ordered to probe the incident and the veils of falsehood begin to drop.

As they prepare to celebrate their wedding anniversary, politically committed professors Hari and Ramona receive a group of unwanted visitors claiming to be from a central intelligence agency. Dressed in white hazmat suits and wearing multifaced masks, the team of men and women raids their house, traumatising the couple and taking away their hard drives. The professors contact the police, but when their friends and acquaintances doubt their claims, Hari begins to break down.

Set in a bar, the story revolves around witty banter, secrets, and an unpredictable turn of events.

Dibakar Banerjee's short film within the Ghost Stories anthology on Netflix

A failing British-Indian academic relocates from London to Delhi to care for his ailing grandmother. Through navigating family demands, ideology and desire, he discovers the true cost of idealism in a country he doesn’t fully understand.