Jesús Castejón

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Set up to take the blame for corporate fraud, young Macarena Ferreiro is locked up in a high-security women's prison surrounded by tough, ruthless criminals in this tense, provocative Spanish thriller.

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Charting the life of Isabella I of Castile, one of the most important women in Spain’s history, Isabel follows her passionate story from childhood to being crowned Queen. From her political struggles within King Henry IV's court to her wedding to Ferdinand of Aragon, the drama encapsulates the passions, emotions and sacrifices of a woman who refused to just be a figurehead and whose outlook was ahead of her time.

A policeman dies chasing a serial killer and is reincarnated in another policeman five years later, granted immortality in exchange of never revealing his true identity.

A group of urbanites flee the city for different reasons: existential, economic crisis, need for fresh air, search for peace, inspiration to compose ... The intention of these strangers is to settle in an abandoned town and start their lives from scratch, but when they arrive they discover that there are still some neighbors: rural people with a very different way of seeing life.

After a few years dedicating themselves to robbing jewelers, banks and casinos, it is time for Macarena and Zulema to separate.

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In 17th century Spain Diego Alatriste, a brave and heroic soldier, is fighting in his King's army in the Flandes region. His best mate, Balboa, falls in a trap and, near to death, asks Diego to look after his son and teach him to be a soldier.

Juana Doña, a communist woman; Carmen Polo, dictator Franco's wife; and Eva Duarte, President Perón's wife, the first lady of Argentina, the idolized Evita, crisscross their lives during Evita's official visit to Spain, an autarchic country isolated from the world, in June 1947. Behind the pomp of reception there is a pharaonic preparation, hidden businesses, battles in the Caudillo's court and the possibility of saving a human life.

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The planet is facing a great threat. During the worst drought ever known, a group of wrongdoers are in the process of finishing all the reserves of water that remain on Earth. The best secret agents in the world meet urgently, but they don't even have a clue. To make things even worse, the evil Botijola plans to sabotage the meeting. His intention is to convert the water into a substitute. In order to do this, he also tries to kidnap mad Professor Bacterio and get him to work for him. However, there are two things Botijola wasn't expecting. On the one hand, Bacterio, before being kidnapped, hid the parts of his invention in different historical moments, using a time machine. On the other hand, there are two international agents who haven't turned up at the sabotaged meeting, two agents who become the world's only hope: Mortadelo and Filemón.

The film centres on Moncho and his coming-of-age experience in Galicia in 1936. Moncho develops a close relationship with his teacher Don Gregorio who introduces the boy to different things in the world. While the story centres on Moncho's ordinary coming-of-age experiences, tensions related to the looming Spanish Civil War periodically interrupt Moncho's personal growth and daily life.

A large, multinational company is badly shaken when three of its employees commit suicide. Sofía Cuevas, one of the company’s top executives, is chosen to prepare an in-house report to try and shed some light on the events.

Angela and her young son Guille travel to the big city to see Leo, her father and the boy's grandfather, when he suddenly takes ill. However, they arrive to discover that he has just passed away. Charo, the dead man's lover, explains the dire traits suffered by the paternal business: a hall with seven billiard tables.

Jon is a troubled teenager who has been expelled from school. His mother decides to teach him a lesson by sending him away with his grandfather Max, a retired military man who lives in a village by the seaside. But the time they will spend together won’t be that simple, Jon likes to flirt with danger and bad companies, and the veteran has now settled down into a comfortable life.

Sofia's story, the best chef in the world, and the two men who helped her to become a legend.

In Brétema, on the Atlantic coast, there was a time when networks of smuggling, drug trafficking converted, achieved so much influence that they were close to control everything: social power, institutions, the lives of its people. Fins, Leda and Frink explore the coast in search of what the sea throws after a wreck, the sea is for them a place of continual discovery. The fate of these young people will be marked by the shadow odious and fascinating at the same time the ubiquitous Marshall, owner of almost everything in Brétema.

A woman and her three partners-in-crime plan a revenge heist against her violent narco husband in order to get rid of him and steal his money.

After completing his high school studies at the age of twenty-four, Óscar is an immature student, unable to afford alone his return to home during the summer season. Then he manages to convince Carlos, his young math teacher, to accompany him. Already in the family home, Óscar begins to behave in an increasingly unbalanced and irrational way. Meanwhile, his family will endeavor to see him as the reflection of the absent father figure.